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A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting. 

With Jakub Hrůša on the podium and Leif Ove Andsnes at the keyboard, the orchestra offer glowing treatment of a dark program. 

Leif Ove Andsnes brings out the singing line of Rachmaninov's Third Piano Concerto before vocal soloists Kristina Mkhitaryan, Dmytro Popov and Kostas Smoriginas join the London Philharmonic Choir and Orchestra for The Bells. 

Franz Liszt and Manfred Honeck take us to the gates of Hell and back, while pianist Leif Ove Andsnes delivers  poetry and polish in Rach 3.

Musical partnerships do not always work, but they did here in Beethoven's final piano concerto. Dima Slobodeniouk displayed once again his credentials as a compelling interpreter of Sibelius.

Leif Ove Andsnes joins the Oslo Philharmonic in dynamic Rachmaninov before high-energy Shostakovich closes the season.

Michael Tilson Thomas couples Mahler and Debussy at The Cleveland Orchestra, close contemporaries but worlds apart stylistically. Leif Ove Andsnes illuminates the latter’s sole work for piano and orchestra.

Hands up if you want lush Russian romanticism, delivered in impeccable style by the LPO and Edward Gardner. Leif Ove Andsnes offers welcome freshness in Grieg.

Leif Ove Andsnes combines art and contemporary affairs in a brilliant opener to the fall piano festival at Prague's Rudolfinum.

A recital of mostly familiar repertoire that draws performances of devastating accuracy this Canadian–Norwegian partnership.

The final date in their recital tour brought the Norwegian soprano and pianist to London for a programme where Grieg outshone Strauss and Wagner.

Grieg's Piano Concerto is the highlight of this closing concert of the Oslo Phil's centenary tour, with Leif Ove Andsnes' exceptional technical skill helping to cast the work in a new and flattering light.

Andsnes’ rendition was a typical battle between Dionysian and Apollonian, won by the latter.

After a twelve year absence from his schedule, the Norwegian pianist returns to the classic warhorse in a bracing concert given by Concerto Copenhagen. 

The final song seemed to last both an eternity and no time at all.

In a memorable evening, Jurowski and the LPO presented entirely convincing accounts.

An unusual programme at the Musikverein, drawing together works by Mendelssohn, Brahms and a piano concerto by Britten. 

The gifted Norwegian pianist brought a programme of varied and demanding works to the fourth recital of Lucerne’s renowned Piano Festival.

Paavo Järvi joined artist-in-residence Leif Ove Andsnes and the musicians of the New York Philharmonic for Rachmaninov, Salonen and Sibelius.

There could hardly be a noisier way to commemorate the centenary of the Russian Revolution than a performance of Dmitri Shostakovich's mighty Twelfth Symphony.

Leif Ove Andsnes is supremely eloquent in Rachmaninov’s Fourth, but Strauss's Macbeth looks set to remain on the fringes. 

A top heavy programme marred Leif Ove Andsnes and Marc-André Hamelin's two piano recital at Wigmore Hall, though it had its moments of high inspiration. 

Two big-boned Mozart piano concertos played by Leif Ove Andsnes formed the meaty filling in a concert by the Norwegian Chamber Orchestra that showcased their superb ensemble characteristics.

One repressed, one who struggled, and one who got away: Jurowski, Andsnes and the Russian State Symphony delight with varied programme of Russian composers at the Konzerthaus.

Thursday's opening of the Oslo Chamber Music Festival showed an enticing bredth of programming, showcasing a wide array of new and old music, all performed with utter conviction.

A withdrawal by Daniel Harding gave Claus Peter Flor an opportunity to deliver a highly unusual Bruckner 3, whilst Andsnes gave subtle and unflashy Mozart.

A concert of music celebrating the folk traditions of Norway to accompanied a major exhibition of the work of Norwegian artist Nikolai Astrup at Dulwich Picture Gallery

Andsnes continues to woo Irish audiences with a concert of miniatures.

Familiar works of Mozart and Beethoven were paired with pieces by Hindemith and Prokofiev for an eclectic program. 

For modern ears, Beethoven’s Choral Fantasy is a curious beast, a hybrid of orchestral, concertante and choral genres and thus quite difficult to programme in a regular concert. 

Akin to medieval knights of old, the Norwegian pianist Leif Ove Andsnes is on a quest called “The Beethoven Journey”. Collaborating with the Mahler Chamber Orchestra, this stop on the journey in Dublin was enthralling.

There are new forces at the helm at the Oslo Philharmonic. After last season’s final concert of Mahler’s Second Symphony, the farewell of the orchestra’s longtime chief conductor Jukka-Pekka Saraste, this season’s opener was the inaugural concert of the new chief conductor, Vasily Petrenko. Expectations have been high, especially after some very successful concerts this spring.

Herbert Blomstedt brought the Gustav Mahler Jugendorchester to Birmingham for the ninth of their eleven-concert, two-week Easter tour. Their magisterial account of Bruckner’s Romantic Symphony, and a fine performance of Beethoven’s Fourth Piano Concerto by Leif Ove Andsnes, earned them a vociferous reception.

“The Beethoven Journey” is a remarkable collaboration between pianist Leif Ove Andsnes and the Mahler Chamber Orchestra.

Long ago in my former life as a teenage record store clerk, I recall a customer who came into the store one chilly, autumn evening.

It is hard to imagine that many of the world’s major orchestras will begin their seasons this year with only three people on stage. Yet in this fascinating programme which promised much and never quite delivered, New York Philharmonic music director Alan Gilbert was joined under the proscenium arch only by timpanist Markus Rhoten and pianist Leif Ove Andsnes.

The excellent International Piano Series at the Southbank Centre continued with a fine recital of music by Haydn, Bartók, Debussy and Chopin by acclaimed and very popular (judging by the full house) Norwegian pianist Leif Ove Andsnes.

Leif Ove Andsnes founded the Risør Festival only nine years ago, but it's already an important part of the European calendar. Risør is unique because it's a musicians' festival. Everyone gets together in this small Norwegian town, no matter how famous they are. This atmosphere's great for chamber music, so the Wigmore Hall is an ideal second home for Risør in London.