Live, Video: Find classical music concert, opera, ballet and dance reviews | Denis Kozhukhin

At the Konzerthaus Dortmund, Sir Antonio Pappano and the LSO are joined by Russian pianist Denis Kozhukhin to plunge into the depths of despair in Bernstein’s melancholic The Age of Anxiety. 

Denis Kozhukhin crushes Prokofiev's Third Piano Concerto, but guest conductor Ryan Bancroft is overwhelmed in Shostakovich 10. 

A varied programme of chamber music charms the Berlin Phil, featuring works by Widmann and a premiere by young talent Tsotne Zedginidze.

Romanticism is the obvious link between Rachmaninov's Third Piano Concerto and Elgar's Second Symphony in this absorbing evening's entertainment supplied by Denis Kozhukhin, the RPO and its Music Director, Vasily Petrenko.

Timothy Ridout, Daniel Blendulf and Denis Kozhukin join the Dutch violinist for intensely passionate performances of Brahms chamber works. 

In addition to Rachmaninov, the Belgrade Philharmonic and Jaume Santonja play Stevan Hrstić's atmospheric In the Countryside and excerpts from Prokofiev's Romeo and Juliet.

Nothing quite ordinary or indeed comforting here, the heavy mixture of acid colouring in Lindberg, Ustvolskaya and Stravinsky not tempered by any opulence in Rachmaninov.

Violin dealers J & A Beare celebrate its 130th anniversary in lavish style by bringing together eight of the Cremona luthier’s exceptional instruments for a concert directed by Dutch violinist, Janine Jansen. 

Denis Kozhukhin is a late stand in for Grieg's Piano Concerto, while Jonathan Heyward shapes Beethoven's Seventh with ambition and energy.

Two powerful, virtually contemporaneous statements from Prokofiev and Nielsen: Denis Kozhukhin is a commanding soloist in the concerto and Jukka-Pekka Saraste with the BBC SO convincingly ride the waves of the symphony.

A risk-free, splendid musical feast for a summer festival, magnificently performed in Verbier's church.

Robin Ticciati conducts a reflective account of Sibelius' Seventh Symphony, recorded behind closed doors at the Royal Festival Hall.

The Russian pianist's nuanced approach bears most fruit in Schubert and Grieg, less so in Beethoven and Ravel.

Joana Carneiro conducts the BBC Philharmonic in a lively Mendelssohn concerto and elegant Mahler Fifth.

Some of Kozhukhin's trills were as rattling thunder – but there was much delicacy and poetry on offer in the many lyrical episodes.

An evening of first-class music making from one of the UK's top orchestras in a varied programme that showed off the strengths of all concerned.  

RLPO debutante Kahchun Wong makes a distinctive first impression in a programme of iconic works from the 20th century.

A remarkable feat of memorisation – a whole orchestra and no music! – made for an illuminating and exciting introduction to the Soviet composer's “victory” symphony.

Paavo Järvi gave a real sense of occasion to the evening, though the Berlioz neither embraced frenzy nor nodded to the fantastical. 

In the year of the centenary of Claude Debussy's death, pianist Denis Kozhukhin gave a heady and colourful performance of music by Debussy and George Gerswhin, a composer deeply influenced by his French counterpart.

Santtu-Matias Rouvali oozed enthusiasm and musicality with the Philharmonia in this all-Russian programme of Kabalevsky and Mussorgsky.

There were piano arpeggios that could have come from the pen of no other composer

Sir Simon Rattle steers the LSO through a sequence of Haydn’s most forward-looking pieces while Denis Kozhukhin, as a late stand-in, is immense in Bartók’s Second Piano Concerto.

Denis Kozhukhin provided flowing intensity in Rachmaninov’s Second Piano Concerto while Yuri Temirkanov crafted a polished Shostakovich 5 with the Philharmonia.

The Staatskapelle Berlin brought a showcase programme to the Berlin Philharmonie under chief conductor Daniel Barenboim and made a case for themselves as one of the best bands performing today.

Russian pianist Kozhukhin's performance of Rachmininov's Fourth Piano Concerto is the highlight of the evening but Flor and NSO deliver satisfying Dvořák and Boydell. 

In the year of the composer's 70th birthday, Adams’ Doctor Atomic Symphony had everyone sitting up straighter. 

A Liszt tone poem, a Prokofiev piano concerto, and a Dvořák symphony made for a high-octane CSO program with conductor Emmanuel Krivine and pianist Denis Kozhukhin.

Donald Runnicles in his farewell concert as Chief Conductor with the BBCSSO went out in style with a golden Brahms Second Piano Concerto and a glorious account of Mahler’s First Symphony.

The energising figure of Vladimir Ashkenazy presided over this all-Russian programme in a concert that showcased the prodigious gifts of Denis Kozhukhin.

Kozhukhin stamped his authority and musicality on this lunchtime recital from the opening notes of the Haydn Sonata to the final fleeting phrase of his second encore.

Neither Rachmaninov's music nor the precision and perfection of the performance lose any of their power, vigor, brilliance and magic with a change from the traditional concert perspective.

Sakari Oramo and the BBC Symphony Orchestra find icy perfection in Sibelius last work.  

The Hallé was on top form in Tchaikovsky, Prokofiev and Sibelius with inspiring conductor Karl-Heinz Steffens, dazzling pianist Denis Kozhukhin and superb orchestral soloists.

Exuberant enthusiasm from the CBSO Youth Orchestra in a mighty programme of Lutosławski, Prokofiev and Mahler. 

Thanks to wild talent of soloist and conductor, a strikingly new take on some familiar work and a standout concert in Houston Symphony's season so far.

The fascinating Rest is Noise festival at Southbank Centre has now reached its mid-point, with the focus on music created out of oppression and war.

For me, the chamber music concerts at the various City Livery Halls have always been the highlight of the City of London Festival.

Gustavo Gimeno dirigió un concierto extremo en los afectos y sobresaliente en lo musical con Denis Kozhukhin como protagonista de la primera parte del programa.

 Denis Kozhukhin ofreció una brillante interpretación del Tercer concierto para piano de Prokofiev con dirección de Giancarlo Guerrero.

La Sinfónica de Galicia nos llevó del desasosiego de la música de Zimmermann a la amabilidad de Haydn pasando por un vertiginoso concierto de piano de Saint-Saëns bajo la elegante batuta de Nuno Coelho.

Primer concierto de la nueva temporada de Ibermúsica, la cual, entre gran expectación, arrancaba con una de las mejores formaciones orquestales, la London Symphony Orchestra, y Szeps-Znaider al frente del conjunto y del pianista Dennis Kozhukhin. 

Resultaría vano enumerar los elogios por insuficientes, así como resaltar a una sección por encima de las demás. La London Philharmonic fue un todo vibrante, una fuerza sobrehumana que supo condensar la emoción de una vida en cuatro movimientos.

Les amoureux de Prokofiev sont servis : le compositeur fête aujourd’hui ses 125 ans ! Pour l’occasion, l’orchestre du théâtre Mariinsky, avec à sa tête Valery Gergiev, vient à Moscou souffler les premières bougies d’un « Marathon Prokofiev » chronologique qui se poursuivra en parallèle à Moscou et Saint-Pétersbourg.

S’il est une chose qui caractérise Prokofiev, c’est bien son imagination débordante. Les cinq premières sonates pour piano nous le prouvent, avec les pianistes Daniil Trifonov ,Katia Skanavi, Ilya Rashkovskiy et Denis Kozhukhin.