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Rossini's 1816 farce fails to make a splash as Marco Carniti's frenetic staging returns to Pesaro. 

A production apt for audiences who prefer a traditional, intimate staging of the most often performed of all operatic works.

One of Teatro San Carlo’s most cherished productions of recent years, with an excellent cast of singers and a director who steered at his ease into the libretto’s erratic changes of mood and atmosphere.

Giorgio Strehler’s production of Mozart’s Abduction, revived by Mattia Testi in Naples, is smooth and sophisticated.

Director Davide Livermore updates the plot to the period of the Russian Revolution, October 1917, a far echo of that turning point in 1403 when the Ottoman sultan Bajazet was defeated by the Tartar Timburlaine.

Lord Sidney's contemplation of the insanity of the world seems to be the impetus for this delirious production. So endless is its stream of gags that to attend this show is to be left feeling exhausted.

This production at the San Carlo was an excellent, emotional Lucia di Lammermoor, welcomed with empathy by the audience, like an old companion. 

This revival of a 2012 staging by Ferzan Ozpetek tells the story efficiently, while conductor Nello Santi only at times made us experience all the emotional depths this opera contains.

Transposant l'ouvrage dans le monde contemporain de la finance, la mise en scène a un air de déjà vu. La distribution est dominée par Davide Luciano, excellent dans le rôle-titre.

Leo Nucci volvió a hacer un Rigoletto rebosante de carisma e intensidad, junto al que un brillante reparto supo destacar, con el apoyo de la enorme calidad de la Orquesta de la Comunidad Valenciana y una ágil batuta de Roberto Abbado.

Le Centre Lyrique Clermont Auvergne fête vingt années de passion et de combats pour faire vivre l'opéra et la musique en région. Et il ouvre la voix à plus d'un talent...

Concierto irregular con una orquesta (Les Talens Lyriques) excepcional y una soprano (Maria Grazia Schiavo) más cómoda en lo galante

Stavanger Symfoniorkester se presenta por primera vez en Ibermúsica con Fabio Biondi a su cargo. El italiano, a doble título de concertino y director, presenta un repertorio clásico, acompañado por el Coro de la Comunidad de Madrid.