Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Orquesta del Festival de Budapest

La Orquesta del Festival de Budapest con Iván Fischer al frente presentaron a Enescu, Bartok y Mahler para poner punto final a la 67 edición del Festival de Santander con espíritu celebratorio y una calidad a la altura de lo acontecido anteriormente.

Iván Fischer, uno de los especialistas mahlerianos más reputados de la actualidad, se presentó ante un abarrotado Palacio de Festivales para dirigir la colosal Tercera sinfonía de Mahler al frente de la Orquesta del Festival de Budapest.

Two great Hungarians – Iván Fischer and Sir András Schiff – together with the fabulous Budapest Festival Orchestra give a masterclass in musicianship.

Iván Fischer’s take on Monteverdi’s opera offers a radical rewriting within the trappings of a traditional staging.

Iván Fischer and the Budapest Festival Orchestra go out on a limb for a second night at the Hollywood Bowl. 

Au Concertgebouw, le dernier concert du Budapest Festival Orchestra laisse le public libre de choisir le programme... Une expérience ludique et enthousiasmante, malgré les aléas de la lecture à vue.

L'interprétation de la Symphonie n° 4 restera dans les mémoires comme un tour de force phénoménal, après un concerto mozartien moins convaincant sous les doigts d'Emanuel Ax.

In a program devoted to Béla Bartók, the visitors from Hungary conveyed both a distinct uniqueness of their heritage as well as a possibility of music as a tool for communication and understanding.

Trois jours de festivités musicales autour de Budapest ont révélé, pour sa première venue à la Philharmonie de Paris, le jeune chef Gábor Káli, dans un programme entièrement bartókien. À l'honneur ce dimanche : Le Château de Barbe-Bleue.

Das Budapest Festival Orchestra bringt mit einem Bartók-Programm ungarische Klangfarben in die Elbphilharmonie.

The Konzerthaus Berlin devotes a six-day festival to a single composer under a single conductor. 

Sowohl Beethovens zweites als auch drittes Klavierkonzert interpretierte der gebürtige Ungar András Schiff mit dem Budapest Festival Orchestra in der Münchner Philharmonie.

A trip down the Danube to old Budapest, with Iván Fischer taking the music of Brahms and Liszt back to their folk roots. 

Anna Lucia Richter provides a superb finish to a highly romantic Mahler 4 from Iván Fischer and the Budapest Festival Orchestra. 

Conclusion grandiose du Budapest Festival à Bruges avec une interprétation extraordinaire de la Symphonie « Résurrection » de Mahler. 

Retour sur un concert aux forts échos politiques contemporains et conçu comme une manifeste pour la paix.

Un événement rare : Christiane Karg accompagnée par Mahler lui-même grâce à un enregistrement Welte-Mignon, et une Quatrième Symphonie de Mahler de haut vol.

The Iván Fischer Opera Company makes a triumphant foray into Verdi's oeuvre.

Bach joué à une vingtaine, sans vibrato, Mozart à une cinquantaine, avec vibrato et un style d'arrière-garde, on peine à saisir une idée directrice au concert des Hongrois.

Iván Fischer's minimalist staging of Don Giovanni makes a triumphant return to Mupa, Budapest.

An evening full of verve and surprise, Iván Fischer conducts Nicola Benedetti and Budapest Festival Orchestra in a Legendary Partnership at the Edinburgh International Festival.

Iván Fischer and the Budapest Festival Orchestra gave a lesson in ethnomusicology as part of the their all-Bartók programme, which culminated in a towering performance of Bluebeard's Castle.

La conférence scénique a depuis quelques années un succès croissant. Le monde symphonique suit le mouvement dans la programmation de musique de chambre, mais ce n’est pas totalement illogique que des obstacles organisationnels et financiers surgissant souvent. Convoquer un grand effectif pour à peine une heure de concert ? Difficile à faire avaler ! À moins que ?

Conférence sonore sur Béla Bartók ? Dégustation de folklore hongrois ? Démonstration chorégraphique sur une partition historique ? Ou concert traditionnel agrémenté de couleur locale ? 

Retour sur la performance mémorable du Château de Barbe-Bleue à l'occasion du Budapest Festival, une formule désormais annuelle qui offre durant quelques jours au Budapest Festival Orchestra le monopole du Concertgebouw de Bruges.

Après le déroutant caprice d’un Kaufmann au TCE, et quelques mois avant le pari monstrueux de l’ONF de le faire retentir sous la voûte de Saint-Denis, le Chant de la Terre s'offrait les services du Budapest Festival Orchestra et de son distingué chef Iván Fischer. C'était à la Philharmonie.

Iván Fischer and the Budapest Festival Orchestra lit up Zurich’s historic Tonhalle with a stellar double-bill of Mendelssohn and Mahler.

A pair of Soviet Cold War classics featured in Pietari Inkinen's Budapest debut at Müpa. 

Crisp Bartók, eloquent Schubert and a poignant tribute to Zoltán Kocsis in the Budapest Festival Orchestra's latest concert. 

A master at clever programming, Maestro Iván Fischer surrounded Dutilleux with well-known pieces by Debussy, Ravel and Satie as part of the week-long French Days segment of the Bridging Europe 2016 series at Budapest’s Müpa. 

Although Ács Ákos gave an excellent performance of Mozart's Clarinet Concerto, Iván Fischer's innovative Requiem didn't quite work.

Après leurs nombreux passages à Bruges, il n’est plus nécessaire de convaincre les habitués du Concertgebouw Brugge que le Budapest Festival Orchestra et son chef titulaire se sont ces dix dernières années frayé un chemin vers l’excellence internationale. En témoigne encore une fois cette interprétation du Requiem de Mozart.

Iván Fischer's staged concert had its flaws, but some original ideas and a strong cast gave an impressive performance.

Julian Rachlin steps in at the last moment and scores a win on a winning score.

This was one of those rare musical experiences, where playing strikes up a dialogue with the prevailing zeitgeist to produce something momentous.

Though the Budapest Festival Orchestra’s programme used all the traditional ingredients for a concert of Russian music, it improved the recipe considerably with very special flavours.

The visiting Budapest Festival Orchestra delivered traditional repertoire with some unexpected quirks.

The Budapest Festival Orchestra poured out wave upon wave of euphoric depth, melancholy and sateen-like ensemble with vigor, heart and delightful ability under the guidance of their innately musical founder and conductor.  

Elegant Iván Fischer and the Budapest Festival Orchestra team with seasoned soloists, Yefim Bronfman and Miah Persson, for peerless Bartók and Mahler.

Iván Fischer, and the Budapest Festival Orchestra brought a high level of intimacy with, and understanding of, the repertoire performed in the evening’s programme in São Paulo. 

A traditional programme of overture, concerto and symphony delivered classically, with a soloist on radiant form.

  Iván Fischer has distinguished himself as a conductor with inimitable listening skills; he truly has an ear for which sounds should be coming from where and how the sounds of each member of the Budapest Festival Orchestra should be arranged in space. 

Rich textures and sculpted phrases: Iván Fischer presents a unique vision of Brahms' Third and Fourth symphonies. Drama maybe lacking, but the BPO more than compensate with the beauty and elegance of their sound.

Fischer and his Budapest Festival Orchestra gave a breath-taking performance, with  concentration and class.

Ecouter un opéra en version de concert permet de mieux se concentrer sur la musique. Et quand il s’agit de Rusalka, le chef d’œuvre lyrique d’Antonin Dvorak, interprété par l’un des meilleurs orchestres symphoniques du monde, le Budapest Festival Orchestra, qui plus est dirigé par son talentueux fondateur et toujours directeur Iván Fischer, le bonheur ne peut être qu’au rendez-vous.

Amsterdam has an outstanding history for Mahler performances, but this fine Ninth from Iván Fischer and his Budapest Festival Orchestra lived up to all this history.

In his program note, conductor-director Iván Fischer describes his Mostly Mozart Festival production of Mozart’s Le nozze di Figaro as a staged concert. His agenda sounds serious: “This is my attempt to bring theater and music closer to each other, to create a new natural harmony.” He asks for a new era in opera production, seeking “organic unity” between music and theater.

The Budapest Festival Orchestra are a relatively well-kept secret, although goodness knows why. Perhaps it is something to do with their young age (formed in 1983) or their somewhat utilitarian name.

Iván Fischer conducted the Budapest Festival Orchestra in impassioned performances of Dohnányi, Beethoven and Brahms to an appreciative, if criminally small, audience in Manchester.More than any other Music Director one could think of, Fischer has a large claim to the BFO being his orchestra. Since founding the orchestra in 1983, he has been its only chief and has guided it to wide acclaim.

The Budapest Festival Orchestra has played in Edinburgh before to great critical acclaim. Consequently, it was only to be expected that their concert last Sunday would be well attended, despite a late change of soloist. In fact, it was a virtual sell-out and we were not disappointed.