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“jedes Lied und jede Arie wurde zu einem musikalischen Blockbuster im Miniformat”
Crítica hecha desde Nationaltheater, Múnich el 17 julio 2019
Rajmáninov, Lilacs (Siren'), Op.21 no.5
Rajmáninov, At my window, Op.26 no.10
Rajmáninov, How fair this spot (Zdes' khorosho), Op.21 no.7
Rimsky-Korsakov, In Spring: The Lark sings louder (Vesnoj: Zvonche zhavoronka pen′e), words by Tolstoy, Op.43 no.1
Strauss R., Morgen! Op.27 no.4
Debussy, Ariettes oubliées: Il pleure dans mon coeur
Charpentier, Louise: Depuis le jour
Chaikovskiï, It was in the early spring, Op.38 no. 2
Chaikovskiï, Skazhi, o chem v teni vetvey (Tell me, what in the shade of the branches), Op.57. no. 1
Bridge, Go not, happy day
Leoncavallo, Mattinata
Chaikovskiï, The Queen of Spades (Pique Dame): Uzh vecher (Duet for Polina and Lisa)
Rimsky-Korsakov, The Clouds begin to scatter, (Redejet oblakov) words by Pushkin, Op.42 no.3
Chaikovskiï, Nochi bezumnie (Frenzied nights) Op.60 no. 6
Strauss R., Die Nacht, Op.10 no.3
Strauss R., Wiegenlied, Op.41 no.1
Strauss R., Ständchen, Op.17 no.2
Fauré, Après un rêve, Op.7 no.1
Dvořák, Gypsy Songs: Songs My Mother Taught Me (Když mne stará matka zpívat), Op.55 no.4
Rajmáninov, The Dream (Son), Op.38 no.5
Moore, The Ballad of Baby Doe: Gold is a fine thing
Offenbach, Les Contes d'Hoffmann: Belle nuit, o nuit d'amour (Barcarolle)
Chaikovskiï, Den' li tsarit (Does the day reign?), Op.47 no. 6
Anna Netrebko, Soprano
Elena Maximova, Mezzosoprano
Giovanni Andrea Zanon, Violín
Malcolm Martineau, Piano
