Find classical music concert, opera, ballet and dance reviews | Gershwin

It was a concert of two halves for RSNO's Bernstein tribute.

In the year of the centenary of Claude Debussy's death, pianist Denis Kozhukhin gave a heady and colourful performance of music by Debussy and George Gerswhin, a composer deeply influenced by his French counterpart.

Sir Andrew Davis conducts the BBC Philharmonic in Elgar, Rachmaninov and Sibelius with pianist Kathryn Stott.

Variations of tension, energy and contrast with Long Yu and the Hong Kong Phil.

Hannigan plays with expectations, opening with a single spotlight after a complete stage blackout to dramatic effect, and I am pretty sure she was rocking slippers on stage. 

There was lots to like in the Philadelphia Orchestra's All-American Celebration for Thanksgiving.

Two promising talents tacke Beethoven: China's Ke Ma impresses in PC4, Hungary's Szüts impresses as a composer with his cadenza for PC1. Tamás Gál and the Miskolc Symphony provide strong support.

On 4th October, the Philadelphia Orchestra opened the Carnegie Hall season with an all 20th-century American program featuring George Gershwin and Leonard Bernstein.

Glimmerglass’ Porgy and Bess proves one more time that Gershwin’s opus remains America’s most important 20th-century opera.

Fanfares and percussion: the NYOS play an all American programme of Gershwin, Copland and welcome back NYOS alumnus Colin Currie to play Andrew Norman’s Switch.

Jesús López-Cobos returned to the CSO with works of Turina and Dvořák flanking Gershwin’s Concerto in F with Inon Barnatan.

Milhaud reported “a spirit of carefree gaiety reigned” in 1920s Paris, a spirit Marcela Roggeri and François Chaplin's varied programme aimed to evoke.

A superb An American in Paris, inspired by the 1951 film of the same name; classic Gershwin songs enveloped by vibrant choreography, in a fast-paced show.   

Oskar Schlemmer's arresting designs for The Triadic Ballet proved one of several high points in Bayerisches Staatsballett II's mixed bill at the Hong Kong Arts Festival. 

While passion, supreme technical mastery, and inspiration all come to mind watching a celebrity like Ma perform, camaraderie, perhaps, is the best word for this concert.

The Bruckner Orchester Linz’s Chicago appearance was centered on American music with music director Dennis Russell Davies and vocalist Angélique Kidjo, rounded off by a Zemlinsky song cycle based on African-American poetry.

In the year of the composer's 70th birthday, Adams’ Doctor Atomic Symphony had everyone sitting up straighter. 

Meticulous intonation, seamless phrasing and oozing charm, Chanticleer delivered a wonderful entertaining concert in a programme that stretched nearly 600 years. 

This unusual program had the unlikely pairing of Schoenberg's Piano Concerto and Gershwin's Rhapsody in Blue, for which Kirill Gerstein was a brilliant soloist. 

To open the new season, the Seattle Symphony and Ludovic Morlot were joined by star mezzo Joyce DiDonato, whose performance sent listeners over the top and over the rainbow.

Renée Fleming joins the Pacific Symphony for Strauss, Italian Songs and Rodgers and Hammerstein. 

A packed Royal Albert Hall were treated to no less than seventeen works written and inspired by George and Ira Gershwin, in addition to three encores. 

Ludovic Morlot led the SSO in a première by Anna Clyne plus familiar repertoire made fresh, spotlighting a delectable interpretation from Jean-Yves Thibaudet in Gershwin's piano concerto. 

Affable host Richard Gere united a starry musical cast to celebrate Carnegie Hall’s 125th Anniversary Gala.

An engaging soloist, passionate conductor and fantastic orchestral playing made light work of a slightly lop-sided and overlong concert. 

Andris Nelsons returned to his Shostakovich cycle with an easy-going Sixth Symphony, followed by an exhilarating Suite for Variety Orchestra. Jean-Yves Thibaudet delighted audiences with Gershwin’s Piano Concerto in F.

Melody and rhythm in abundance, with compelling performances from soloist and orchestra alike.

Brodsky String Quartet: A master of precision, nuances and moods introduced the Turkish audience to South American contemporary composers. What an enchantment!

Marin Alsop made belated subscription debut with the CSO Thanksgiving weekend with a varied program contrasting 20th and 21st century British and American works with Dvořák's tragic Seventh Symphony.

A diverse and occasionally challenging program opens the season in Detroit.

From the American national anthem to An American in Paris and back to New York City for West Side Story with Joshua Bell, Stravinksy’s Firebird stuck out as the most remarkable piece on the program.

Flags, balloons and musical revelry bring the BBC Proms season to a close. 

A packed Royal Albert Hall cheered as rocker-come-classical composer Eric Whitacre took to the stage for this Sunday matinee.

An action-packed, generous concert by the Orquesta Filarmónica de Mexico UNAM conducted by Jan Latham-Koenig at the Cadogan Hall.

Ravel and Bartók shared the program with Gershwin, Brubeck, Thelonious Monk and others in this imaginative program.

Broadway is turning movies into musicals at the drop of a top hat, but none can touch this irresistible reworking of the 1951 Gene Kelly extravaganza, An American in Paris. They should just hand the Tonys to Christopher Wheeldon, Bob Crowley, and Robert Fairchild now.

Kees Bakels and the Orchestra of Opera North perform Gershwin, Shostakovich, Ravel and Stravinsky at Leeds Town Hall.

Peter Oundjian and the RSNO perform an imaginative programme airing the varied moods and influences which make up modern America.

The LSO and soloist Yuja Wang join Principal Guest Conductor Michael Tilson Thomas to celebrate his 70th birthday. 

Florent Schmitt's Antoine et Cléopâtre given a rare performance by the Buffalo Philharmonic Orchestra. 

She made cynics swoon and skeptics burst: Jessye Norman, along with pianist Mark Markham, serenaded eager listeners with love songs from the Great American Songbook and 20th-century France.

The New York Philharmonic kicked off 2015 with the music of George Gershwin, led by British conductor Bramwell Tovey and joined by vocalists Norm Lewis and Dianne Reeves.

In Amsterdam, Mariss Jansons conducts the Concertgebouw orchestra in a selection of six stunning rhapsodies for large orchestra.

Vastly Petrenko conducts John Adams' Saxophone Concerto with Timothy McAllister, along with Gershwin and Strauss in Liverpool. 

The marriage between performers and score here is perfect, because Gershwin’s text-setting is near-miraculous, somehow every word is clear and seems to be naturally inflected by the curvature of the musical line.

Hitchcock’s Norman Bates meets Bartók’s death defying Miraculous Mandarin, by way of Schoenberg angular 12-tone Piano Concerto - with the odd man out being Gershwin's Rhapsody in Blue. 

The Philhamonia Zürich’s concert of great American orchestral and song music meant a magical mix of the familiar and iconic. 

Piano sisters Katia and Marielle, with the help of Kalakan, a trio of basque musicians, give us varied melodies, rhythms, colours of the musical horizon. It's a concert which achieves remarkable consistency in spite of its eclectic programme.

Taking a “transatlantic bridge” as their theme for the evening, the Chamber Music Society of Lincoln Center featured music by Ravel, Gershwin, Korngold and Antheil. 

An imaginative RSNO programme sandwiching fusionist Gershwin between unbelievably contrasting Shostakovich, seasoned with a little re-titling.