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The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice. 

This abridged version of Massenet's Cendrillon was clearly chosen for a wide Sydney audience, succeeding as a popular offering in the Australian summer holiday season. 

Comedy fails to spark in Laurent Pelly's new production of Falstaff at the Teatro Real. 

Laurent Pelly’s staging provided some of the most memorable moments in this performance of Cendrillon. 

Laurent Pelly exploits the satirical side of Rimsky-Korsakov's The Golden Cockerel at La Monnaie in a darkly humorous but colourfully performed production.

After an absence of nearly a quarter-century, Humperdinck's evergreen returns to Seattle Opera in a winningly staged, musically sensitive production that looks beneath the fairy-tale surface.

Berlioz's Béatrice et Bénédict is light and fluffy, making it perfect summer festival fare. Sadly, like a soggy soufflé, Pelly's one-trick staging soon falls flat.

Sultry Spanish rhythms and bawdy humour are counterbalanced by Gallic charm in the return to Glyndebourne of Laurent Pelly’s productions of L’Heure espagnole and L’Enfant et les sortilèges. Danielle de Niese joined a largely Francophone cast to ensure this joyous revival fizzed.

I once heard a lecture by Gérard Mortier, then head of the Paris Opera, contrasting the twin operatic traditions starting from Monteverdi's serious and affecting dramma per musica and the lavish court entertainments of Lully. A couple of centuries on, there's no need to ask the side of the fence on which Massenet's Cendrillon falls.

Le metteur en scène français transpose avec succès l'action dans l'Angleterre des années 1960, bien suivi par l'ensemble de la distribution, très homogène.

Après un premier décollage à huis clos au printemps 2021, la féérie d'Offenbach adaptée pour les jeunes pousses de la Maîtrise Populaire de l'Opéra Comique connaît enfin sa première publique.

Se representa en el Teatro Real El gallo de oro, un trabajo insólitamente crítico para su época, en una produccion que, gracias a la conjunción de elementos, destila magia, calidad artística y un toque ácido de presente.

Le Coq d’Or de Rimski-Korsakov servi à Nancy avec de délicieux accompagnements.

El Teatro Real recupera la brillante partitura de Humperdinck en una sólida función que no oculta la oscuridad de esta ópera infantil para adultos