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Gianni Amelio's traditionalist staging pleased the audience, and Nadine Sierra brought vocal grace and a flawless technique to the title role.

Charming and hilarious by turn, this production fields a largely young and Kiwi cast.

If you love Verdi's inventive music, enjoy fabulous male voices in particular, and appreciate great opera conducting with exquisitely sensitive orchestral playing – then this Rigoletto is a must.

San Francisco Opera's Aida features exciting role debuts from Leah Crocetto and Brian Jagde and a visually striking production, but a lack of good direction keeps it from being great music drama.

Operalia is a curious beast among voice competitions. Step onto the stage, belt out your aria and, before you’ve barely had time to acknowledge the applause, the next contestant shuffles along the conveyor belt. A one-shot saloon. 

Le metteur en scène flirte avec un discours moralisateur peu subtil mais s'en tire en proposant une belle satire ; le plateau vocal n'est en revanche pas à la hauteur des grandes soirées du Festival.

Pene Pati et Perrine Madoeuf, arrivés quelques heures avant le lever de rideau pour remplacer les titulaires malades, font triompher Roméo et Juliette à l'Opéra Comique.