Le retour en demi-teinte du L.A. Dance Project au Théâtre du Châtelet

Elastic Ballet, par le L.A. Dance Project

Par Laurine Mortha, 18 octobre 2022

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“un tableau peu enthousiasmant de la création chorégraphique actuelle aux États-Unis”

Critique faite à Théâtre du Châtelet, Paris, le 15 octobre 2022

Everyone Keeps Me (Pam Tanowitz)

Elastic Ballet (Madeline Hollander)

Quartet no. 5 (Bobbi Jene Smith, Or Schraiber)

L.A. Dance Project

Fay Fullerton, Costumes

Clifton Taylor, Lumières

A didactic Decameron: The Seasons at Opera Philadelphia

Cameron Kelsall, 20th December

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

***11

Encounters: The Royal Ballet at its versatile best

Amanda Jennings, 22nd October

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

****1

Love Letter (on shuffle) anchors eclectic NYCB program

Ivy Lin, 15th May

Love Letter (on shuffle) is like a Taylor Swift Track 5. Full of romance and longing, and it makes its emotional impact every time.

****1

In their 75th anniversary year, New York City Ballet return to London

Amanda Jennings, 7th March

An intermittently sparkling evening culminates in a thrilling explosion of art.

****1

The Australian Ballet celebrates 60 years with style and star turns!

Deborah Weiss, 6th August

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

****1

The Linbury: Pam Tanowitz is becoming a fixture of the UK dance scene

Graham Watts, 4th February

While Secret Things was notable for its outlandish costumes, Everyone Keeps Me remains a rare gem of modern dance to be cherished

***11

Plus de critiques...

Laurine Mortha

Danseuse amatrice depuis 20 ans, Laurine est une habituée des scènes parisiennes, classiques et contemporaines, et a été chorégraphe d'une comédie musicale amateur.