En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Say

Artiste en résidence de cette 69e édition du Gstaad Menuhin Festival, le pianiste et compositeur a livré un récital authentique, peu académique mais tout à fait passionnant.

Le pianiste turc a proposé un récital contrasté, passionnant dans Haendel et Haydn, nettement moins convaincant dans l'ultime sonate de Schubert.

Le duo pianistique des sœurs Önder et les percussions du Martin Grubinger Ensemble font palpiter la Fondation Vuitton dans un concert bouillonnant et débridé, dédié à la musique de Fazıl Say.

Hier soir, l’Orchestre de Chambre de Paris s’est trouvé de bien beaux partenaires... Rarement un concert aura montré à ce point que la musique est mouvement, action dramatique et souffle vital !

Fazil Say « par l’auteur », (K)ein Sommernachtstraum d’Alfred Schnittke, Messiaen et Chostakovitch. Un programme exemplaire, et une salle qui aurait mérité d’être pleine !

The Berlin Philharmonie welcomes Fazıl Say for a solo recital that dares the audience to keep their feet still, featuring Bach and Say’s own compositions.

At the Schleswig-Holstein Music Festival, Fazıl Say concluded his residency with the Borusan Istanbul Philharmonic with an evening of jazz, Ravel and his own symphony, capturing the restless energy of an Istanbul-style metropolis.

Rouvali and the Philharmonia dazzle with sunlit Tchaikovsky, intense Shostakovich and Say’s imaginative textures, while Gabetta’s physical, lyrical cello brings immediacy to an evening of virtuosity, warmth and playful energy.

La London Symphony Orchestra abre la temporada 23/24 de Ibermúsica con Sir Antonio Pappano y Patricia Kopatchinskaja.

La energía desbordante y contagiosa de Venditti evoca, junto a la Orquesta de Extremadura y una expresiva Cristina Montes, una riquísima y exuberante atmósfera folclórica.

La Real Filharmonía de Galicia acompañó cálidamente al pianista Fazil Say en un viaje por una interpretación auténtica e imaginativa.

Fazıl Say’s concerto for piano four-hands gets its US premiere with siblings Lucas and Arthur Jussen at the keyboard. 

Der österreichische Multi-Perkussionist sorgt für ein Schlagzeug-Fest in der Isarphilharmonie.

British cellist Laura van der Heijden proved herself to be the sister of soul on the cello for the second night in succession.

The performance of the young French mezzo-soprano was admired more for its correctness than for its seductiveness.

The Orchestre Pasdeloup contributes tales to the Philharmonie's Mille et une Nuits festival of music inspired by the Orient. 

Fazıl Say dazzles as both composer and soloist with the Hong Kong Sinfonietta. 

Fazıl Say returns to the Heidelberger Frühling with a velvety Mozart and mesmerising original compositions.

Einmal mehr präsentierte Fazıl Say zusammen mit der Camerata Salzburg seine außergewöhnlichen Kompositionen wie auch seinen interpretatorischen Einfallsreichtum in Mozarts Klavierkonzert. 

Fazıl Say plays at the Théâtre des Champs Elysées.

Fazil Say zog das Düsseldorfer Publikum mit seinem emotionsgeladenen Spiel in den Bann.

For the opening concert of the 2015-2016 season, the Musikkollegium Winterthur drew together an unusual mix of repertoire: Felix Mendelssohn and Fazil Say.

Disappointing Mozart compensated by a lively new work by Fazil Say in Heidelberg. 

I had three things to be excited about on Friday evening: seeing Fazıl Say in a solo recital – which I hadn’t done in 4 years, going to Zorlu Center – Istanbul’s newest and, according to reports, most modern and acoustically pleasing concert hall. The third is private.As it turns out, all but one of them turned out to be worth the anticipation.

Martin Grubinger may be regarded as one of the world’s most exciting percussion virtuosi, but for my money his greatest strengths are pianistic: the rich density of timbre he gets from his instruments (which are mainly the marimba and xylophone), the gift for turning an eloquent phrase, and the seamless legato that comes from sensitive touch and a finely-tuned ear for decay.