En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Zubin Mehta

Dans Mozart et Bruckner, le violoniste et le chef ont rappelé les grands artistes qu'ils étaient, même si le poids de l'âge (164 ans à eux deux !) s'est fait sentir.

À la tête d'un Orchestra del Maggio Musicale Fiorentino doté d'une belle palette chromatique, Zubin Mehta a proposé une interprétation pleine de sagesse de la Deuxième Symphonie de Mahler. 

Si elle conserve une science des équilibres et de l'accompagnement, la direction de Zubin Mehta ne transmet pas l'urgence du drame de Verdi. Le plateau vocal offre une performance contrastée.

Avec les Wiener Philharmoniker, Argerich et Mehta ont donné un programme Schumann/Bruckner qui a rappelé de grands moments de leurs histoires respectives et fait vibrer une nouvelle fois le Musikverein.

À Berlin, la nouvelle production du Rosenkavalier par André Heller fait un sans-faute, portée par un casting cinq étoiles.

Couple indissociable, Zubin Mehta et l'Orchestre Philharmonique d'Israël ont offert un concert de haute volée à la Philharmonie de Paris. Au programme : Schubert, Ravel et Beethoven. 

Zubin Mehta, Pinchas Zukerman and the Vienna Philharmonic meet in repertoire they know intimately, illuminating it through mutual understanding. 

At 89, the former Music Director returns to the Los Angeles Philharmonic to conduct Bruckner's Eighth Symphony, revealing the music’s interior world. 

A memorable, impassioned performance of Arnold Schoenberg’s Gurre-Lieder in Disney Hall. 

The Staatskapelle Berlin’s Festtage concert in the Philharmonie proves a feast for brass lovers. 

In the sacred golden temple that is the Musikverein, Martha Argerich plays Ravel's saucy Piano Concerto in G major, before the Philharmoniker and Zubin Mehta play Bruckner's Seventh Symphony. 

Yefim Bronfman reunites with his old collaborator for Brahms' First Piano Concerto, reinforcing the qualities that exemplify him as a great chamber music player. 

The Maggio postpones Pountney’s expected new production of Don Giovanni, presenting Ferrara’s production from Spoleto instead, with a good cast in the hands of Zubin Mehta.

Conductor Emeritus Zubin Mehta leads The Los Angeles Philharmonic in an unforgettable reading of Mahler's massive symphony, played with incredible virtuosity and led with remarkable assurance.

Auf apollinischen wie dionysischen Spuren bei einer üppig ausgestatteten Uraufführung von Minas Borboudakis.

Zubin Mehta conducts a trio of Strauss tone poems as the Australian World Orchestra arrives back in Sydney. 

Zubin Mehta, Siobhan Stagg and the players of the AWO were on top of their game in works by Webern, Debussy and Brahms, where the connections were as potent as the contrasts.

Philipp Stölzl depicts Turandot as a tragedy of a lonely princess who pays dearly for her cruelty in his fascinating new production at the Staatsoper Berlin.

The soloists and LA Master Chorale lead the way in a performance of Mozart's “Great” C minor Mass conducted by Zubin Mehta. 

Knapp 200 Musiker*innen beglücken 100 Minuten lang 2000 Konzertbesucher*innen in der Berliner Philharmonie mit Mahlers Dritten.

Zubin Mehta brought together works by George Crumb and Richard Strauss in his latest concert as the Munich Philharmonic's honorary conductor.

All life is a preparation for death, as revealed in Messiaen's Et exspecto and Bruckner's Ninth Symphony. Zubin Mehta and the Berlin Philharmonic administer the exequies.

The Orchestra of the Teatro alla Scala prove perfectly suited to bringing out the Rossinian influences in Schubert. 

"Expect the unexpected" is a useful maxim for reviewers. Major last-minute changes to the advertised La Scala programme, with Chen Reiss in Mozart and Zubin Mehta in Beethoven and Schubert.

The catchy title of Ardent Desire signposted the Orchestra of Bavarian State Opera's latest Monday evening live streamed concert: two pieces of high Romanticism from Schubert and Strauss. 

Zu kontrolliert und selbstverständlich wirkten Ravels La Valse und Strawinsky, ein Musizieren mit angezogener Handbremse.

Zubin Mehta leads a great cast in a revival of a successful production of Verdi's Falstaff at the Staatsoper in Berlin

Der Chor und das Symphonieorchester des Bayerischen Rundfunks gedenken mit Mahlers Zweiter Symphonie ihres im Dezember verstorbenen Chefdirigenten Mariss Jansons. 

Zubin Mehta returns to Disney Hall, demonstrating the multifaceted implications of Wagner and his “music of tomorrow”.

There's undeniable power in the Berliner Philharmoniker's playing, but Zubin Mehta needed to offer a stronger sense of where his Bruckner was heading and why.

In Richard Strauss' Don Quixote brillieren die Philharmoniker als Ensemble vieler großartiger Solisten.

The Los Angeles Philharmonic brought back its Conductor Emeritus, Zubin Mehta, for an outstanding performance of Mahler's “Resurrection” Symphony as part of its 100th anniversary celebrations. 

La 50ª temporada de Ibermúsica abre con la Israel Philharmonic Orchestra y Zubin Mehta en la dirección.

El ciclo BCN Clàssics abre la temporada con la Orquesta Filarmónica de Israel y su director titular Zubin Mehta en un emotivo concierto.

One of the great performances of a concerto which gets so many performances.

Jan Lisiecki's leap-in with the Israel Philharmonic offers extra spontaneity in Beethoven's Fourth Piano Concerto. 

Lise Davidsen brilliert in Strauss' Vier letzten Liedern mit wunderbarem Ton der hohen Register ihrer Stimme.

Zubin Mehta conducts Verdi's Otello in an iconic Robert Wilson production of stylized theater where less is more. The effect was mesmerizing.  

Zubin Mehta and the Berlin Philharmonic have an extraordinary relationship lasting over five decades. In three performances in the Philharmonie, Mehta paired a piece from the core of his romantic repertoire with a new percussion concerto.

In a work as complex and multifaceted as Mahler’s Third, plumbing the depths of the music is not a trivial task. Mehta and his orchestra shone in moments but not uniformly across the symphony.

Tonal finesse, graceful articulation and magical simplicity mattered more than anything else in Yefim Bronfman's version of Beethoven's Third Piano Concerto.

In der wiedereröffneten Staatsoper Unter den Linden akzentuierte Zubin Mehta sparsam in seiner Zeichengebung und überließ den Musikern der Wiener Philharmoniker das Feld.

Zubin Mehta brings a great deal of class to most things he conducts at La Scala, and here his bright account of Mozart's score was a joy. 

Zubin Mehta, Pinchas Zukerman und die Berliner Philharmoniker begeistern mit erfrischendem Elgar und packendem Tschaikowsky.

Zubin Mehta's conducting is a disappointment, but Guth's remarkable production makes powerful sense of Strauss and Hofmannsthal's rich fairy tale. 

Pinchas Zukerman never quite gets to grips with Elgar's concerto, and the Berlin Philharmonic take a while to get to the heart of Tchaikovsky's Fifth. 

The 2013 Salzburg production of Damiano Michieletto's Falstaff finally arrives in Milan where the director sets the opera in “Casa Verdi”, the Milanese residence for elderly singers and musicians.

The Staatsoper's new Falstaff is a production that is attractive not only visually, but also in terms of the varied musical color.