En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Baldur Brönnimann

Un cocktail explosif (Levinas, Mozart, Kourliandski et Poulenc) pour un concert "Crazy Wek-End". 

La Real Filharmonía ofreció un bello programa de obras poco frecuentes bajo la atenta dirección de Baldur Brönnimann.

El nuevo director titular de la Real Filharmonía de Galicia abre la temporada con un programa desafiante y un resultado variable.

Una magnífica interpretación del Concierto para orquesta de Lutosławski cierra una velada que comenzó con algunas carencias.

Ein erfrischendes Konzerterlebnis mit Bierdosen, Socken und Zahnbürsten.

Das von Baldur Brönnimann dirigierte Programm mit Werken von Unsuk Chin, Josep Planells Schiaffino und James Diaz kann nicht immer überzeugen.

Das Saison-Abschlusskonzert der Basel Sinfonietta präsentiert in hipper Umgebung Uraufführungen und Schweizer Erstaufführungen für begleitetes Streichquartett.

Das Orchester meisterte seine Aufgabe nicht nur mit bewundernswerter Disziplin, sondern war auch sichtlich mit Freude und Engagement bei der Sache.

Nach diesem Abend darf man sich auf interessante Resultate aus der Zusammenarbeit mit Baldur Brönnimann freuen.

This Late Night Prom was a fitting way to remember the man. Such events draw a lighter scattering of musical night owls, minimising the hall and allowing for meditative concentration.

Hans Zender's composed interpretation of Schubert's great song-cycle Winterreise, sung by Ian Bostridge, with visuals by Netia Jones, reveals the stark beauty, timelessness and philosophical qualities of Schubert’s music and Mueller’s poetry.

Irish soprano Orla Boylan offers an engaging performance of Ravel's Shéhérazade and Sibelius' Luonnotar while the NSO under the baton of Brönnimann deliver a commendable Sibelius 5. 

En programmant trois compositeurs scandinaves majeurs, le Danish National Chamber Orchestra a donné un concert des plus émouvants.

Baldur Brönnimann conducted a storming performance of Shostakovich's “Leningrad” Symphony after a bold and original Tchaikovsky First Piano Concerto from Ryan Drucker.

Karlheinz Stockhausen has done rather well out of this weekend’s instalment of Southbank Centre’s The Rest is Noise festival, with his music featuring in all three of the concerts as well as the mouthwatering additional event “Breakfast with Stockhausen”.

The works of Anton Webern – famously described by Stravinksy as “dazzling diamonds” – have been “unwrapped” as part of The Rest is Noise festival this month. This was a timely project, as the output of this Second Viennese School composer has often been misrepresented due to its considerable (and problematic) impact on 20th- and 21st-century music.

Having missed a chance to hear Conlon Nancarrow’s Player Piano Study no. 21 (Canon X) due to a spontaneous programme switch earlier in the day, I was delighted that Dominic Murcott’s arrangement of the piece for London Sinfonietta and player piano opened this concert.

Hijacking, murder and terror on the high seas: you might expect that The Death of Klinghoffer, John Adams's 1991 opera about the Palestinian hijacking of the cruise liner Achille Lauro has all the makings of a pot-boiling thriller. But you would be wrong: Adams and his librettist Alice Goodman have other fish to fry.