En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Air sur la corde de sol, d'après la Suite pour orchestre BWV1068

Elīna Garanča a incarné une Leonora somptueuse, dommage que les morceaux choisis ne furent pas tous du niveau de ce Verdi là ! Demeurent la beauté de la voix et l'intelligence de l'interprétation de la cantatrice.  

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

Andris Nelsons shapes a Tanglewood evening of introspective reflections featuring music from Bach to Mahler.

The Orchestra of the Age of Enlightenment and soprano Julia Bullock invite us to listen to familiar pieces with fresh ears in invigorating performances at New York's 92NY.

Before the planned program of Bartók and Haydn, the Boston Symphony Orchestra and conductor Karina Canellakis honor Seiji Ozawa with Bach's Air on a G String. 

Un sorprendente cambio de programa determinó el devenir de un concierto que resultó superficial aun entretenido.

Sumptuous Wagner and effortless Mahler from the Bayrisches Staatsorchester, cleanly expressive Schumann from Yefim Bronfman and richly communicative singing from Louise Alder. 

Hong Kong Sinfonietta's Cellomania program showcased the young Turkish cellist's towering talent with a potpourri of show-stoppers.

A rare foray into crossover by the Singapore Symphony Orchestra into repertoire involving a traditional Chinese instrument. 

A fantastic all-Tchaikovsky concert in which cellist Natalie Clein gave a magnificent rendition of the Rococo Variations.

Warsaw Philharmonic celebrates the 100th anniversary of Polish independence with performances of great local composers – Lutoslawski, Szymanowski and Szabelski – and Debussy’s La Mer for good measure.

Alexander Dmitriev and the St Petersburg Symphony Orchestra paraded passionate and colourful Tchaikovsky, while the masterful Peter Donohoe gave a potent and intricate Rachmaninov.

Mirga's approach to Beethoven's Fifth showed a flair for innovation, the highlight of a strong programme that also featured a virtuosic performance from Leila Josefowciz of Stravinsky's Violin Concerto.

International percussionist Johannes Fischer brought almost everything but the kitchen sink to the Scottish Ensemble’s lively Baroque Dance Party.

Clearly Mirga Gražinytė-Tyla has found her feet with the City of Birmingham Symphony Orchestra and isn't afraid to be a bit experimental.

Serebrier and the ECO deliver fine performances of Haydn, Beethoven and Vaughan Williams.  

The element of surprise in this seemingly standard Late Night Prom of Handel, Muffat, Bach and Purcell by the period-instrument orchestra Academy of Ancient Music was Leopold Stokowski.

A strong thunderstorm delayed the Orpheus Chamber Orchestra’s Blossom Music Center debut, but despite their fine playing, the venue proved too large.

A journey of emotions with the Munich Philharmonic under Gergiev resplendent in Ravel and Richard Strauss, thought-provoking in Ustvolskaya, and Behzod Abduraimov electrifying in Rachmaninov.

Die Münchner Philharmoniker, die zum ersten Mal mit Valery Gergiev und Daniil Trifonov am Odeonsplatz konzertierten, nutzten die Einzigartigkeit des „Freiluft-Konzerthauses“ mit einem Programm von Tschaikowsky bis Ravel.

The Baroque credentials of St John's Smith Square were thoroughly endorsed in a beautifully proportioned concert by the Orchestra of the Age of Enlightenment directed by the doyenne of British Baroque violinists, Rachel Podger.

The European Union is not something one would normally expect to be associated with music, but their chamber orchestra is exceptional. Formed in 1981, they now have a worldwide reputation as musical ambassadors. Opening an evening of style and grace at St George’s, Bristol with Handel’s Arrival of the Queen of Sheba, the orchestra gave an air of confidence.