En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Symphonie no. 8 en fa majeur, Op.93

Suite et fin du brillant cycle Beethoven porté par les Wiener Philharmoniker et Andris Nelsons au Théâtre des Champs-Élysées.

Au cours d'une soirée intégralement consacrée au répertoire symphonique de Beethoven, Riccardo Chailly et la Filarmonica della Scala brillent dans la Symphonie n° 5 après une Symphonie n° 8 dénuée de fantaisie.

Alain Altinoglu et l’Orchestre Symphonique de la Monnaie retrouvent le Palais des Beaux-Arts pour clôturer l'intégrale des symphonies de Beethoven entamée il y a près d’un an. Avec une création splendide de Bernard Foccroulle.

Un beau concert sous la direction d’un Marek Janowski juvénile et irradiant l’Orchestre Symphonique de la Radio de Berlin d’une belle énergie. Quand bien même on aura relevé quelques manques aux vents, ce Bruckner eût assurément du panache !

Troisième rendez vous de cette intégrale des symphonies de Beethoven donnée par Rattle et ses berlinois en une semaine à la Philharmonie de Paris, le concert du 5 novembre était consacré aux 8ème et 6ème symphonies : encore un magnifique succès ! 

Le Philharmonique de Radio France est décidement en très grande forme en ce moment.

La Orquesta Sinfónica de Tenerife demostró una vez más su camaleónica capacidad con un variado programa y la dirección de la batuta invitada, Rebecca Tong.

Nelsons stresses refined dynamics, rhythmic drive, balance and contrast as he closes the Beethoven Festival in style. 

Der spanisch-katalanische Großmeister historischer Aufführungspraxis und sein Orchester Le Concert des Nations wurden bei den Salzburger Festspielen für dramatische Rhythmusrhetorik frenetisch gefeiert.

The Flanders Symphony Orchestra finish their UK tour in Edinburgh with Mozart and Beethoven: safe repertoire, but it's played with focus and energy.

Ein großer Ein- und Widerspruch verblieb bei ansonsten ebenso gewohnt referenziellen Gütebesiegelungen seitens Ensemble, Klaviertrio und Giovanni Antonini.

Much delayed by the pandemic, Giordano Bellincampi's Beethoven symphony cycle with the Auckland PO finally reaches its conclusion with a triumphant closing concert. 

Ligeti, Grieg, Beethoven and 100 metronomes offer an unusual combination from the Ulster Orchestra in Belfast.

The world premiere of Erkki-Sven Tüür's Flute Concerto, written for Berliner Philharmoniker principal Emmanuel Pahud, is the main dish in Järvi's three-course programme. 

Drei europäische Orchester auf historischen Instrumenten präsentierten ihre Vorzüge und damit zum Eröffnungswochenende des Festivals den symphonischen Beethoven als Lichtexplosion.

An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.

Primer concierto de la Orquesta Sinfónica Nacional de Colombia tras muchos meses de silencio con Adrián Chamorro en la dirección y el solista Leonida Cáceres.

A performance of Ravel's concerto to savour as a beacon of light and hope in these dark times. 

Brinton Averil Smith, the Symphony's principal cello, approached Haydn's D major Concerto with bold courage and passionate, if inconsistently manufactured, strokes.

An early evening concert of Haydn and Beethoven with a light heart proved to be a tonic in this dark November lockdown. 

Fresh sounds from Anna Clyne, and the LPO serves up a sumptuous meal in Richard Strauss' Le Bourgeois gentilhomme.

Nelsons und die Philharmoniker brachten sowohl das Komische als auch das Erhabene in Beethoven heraus.

Con las Sinfonías núm. 8 y 9, John Eliot Gardiner concluye la encomiable gesta de dirigir la integral de sinfonías de Beethoven en el Palau de la Música Catalana.

Nine symphonies, five orchestras, two days: an immersive weekend as part of the Barbican's Beethoven 250 coverage featuring some of the UK's finest orchestras. 

"Beethoven 250" starts in grand form with thrilling performances of Egmont and Symphonies 5 and 8 in Antwerp.

Thomas Adès and the Britten Sinfonia now enter the final phase of their three year Beethoven and Barry cycle with rewarding interpretations of Beethoven's Seventh and Eighth, separated by a new Viola Concerto from Barry.

Missy Mazzoli's double bass concerto receives its UK premiere as part of Kings Place's Venus Unwrapped season. 

Anastasia Kobekina präsentiert sich als gefestigte, überzeugende musikalische Persönlichkeit, während das Orchester an der Grenze der Überforderung arbeitet.

The Cleveland Orchestra’s Chicago appearance with music director Franz Welser-Möst offered symphonies of Beethoven and Sibelius in performances that exuded both precision and beauty.

Es importante que se programe música mexicana y latinoamericana. Nosotros mismos conocemos poco nuestro repertorio y sólo incluyéndolo regularmente en las temporadas de conciertos podremos darle vida y acercarnos a él, y eso además propicia una sana diversidad musical. En este concierto la OFUNAM contribuyó a ese propósito.

An elegant performance of Beethoven’s Eighth Symphony opened an oddly-proportioned concert.

Serebrier and the ECO deliver fine performances of Haydn, Beethoven and Vaughan Williams.  

Evocative new works by Adès and Coll were performed thrillingly and provocatively by the Britten Sinfonia as they brought fizz and clarity to Beethoven's eighth and Prokofiev's "Classical" Symphony.

Pinchas Zukerman celebrated the 45th anniversary of his Cleveland Orchestra debut with Mozart’s “Turkish” concerto.

Fazıl Say dazzles as both composer and soloist with the Hong Kong Sinfonietta. 

Beethoven und Mozart stehen in der Kirche von Saanen unter Hochspannung.

The Belgian period-instrument ensemble Anima Eterna Brugge deliver controlled but expressive performances of Beethoven's Symphonies 8 and 7 as part of a complete cycle in Sydney

Mixed results in the 20th century portion of the program are remedied with some very fine Beethoven playing. 

The Zurich Chamber Orchestra (ZKO) recently played an unforgettable all-Beethoven programme at the city’s Tonhalle. Before launching into the Eighth Symphony, conductor Sir Roger warned us: “Buckle your seatbelts!”

Directed by guest conductor Tito Muñoz, the São Paulo State Orchestra (OSESP) performed a programme centered around the different conceptions of contrast, with music by Takemitsu, Beethoven and Nielsen.

Chloe Hanslip and the Bern Symphony Orchestra show us how much there is to love in the Sibelius Violin Concerto, as well as delivering attractive melody in Brahms and Beethoven.

The programme for Prom 62 featured two well loved symphonies. But anyone expecting familiarity was in for a shock: Sir Roger Norrington has highly individual views on this music.

In his introduction to the programme, the orchestra’s Music Director Marios Papadopoulos says that it is the energy in Beethoven’s music which captures his attention, and this was certainly conveyed in the Oxford Philomusica’s performance of the piece.

Andris Nelsons and the CBSO brought their superb Beethoven cycle to a close with fine performances of the Eighth and Ninth Symphonies at Birmingham’s Symphony Hall.The Eighth Symphony suffers from sitting in the shade of the Seventh and Ninth, but Beethoven’s “Little” F major symphony has a great deal to offer.

After hearing the Welsh Sinfonia’s last concert in January 2013, I was pleased to have the opportunity to attend their Gala Finale concert this month. This was particularly the case since it included a première of a new composition by Roxanna Panufnik, daughter of Andrzej Panufnik, whose Epitaph I heard finely performed by the BBC National Orchestra of Wales in March.

Benedetti’s Beethoven was changed, at late notice, to Lomeiko’s Tchaikovsky. Sadly, the renowned violinist Nicola Benedetti was not able to make the performance, but her replacement was wonderful. Internationally established Russian violinist and professor at the Royal College of Music, Natalia Lomeiko stepped up to play the Tchaikovsky Violin Concerto in D major instead of Beethoven’s concerto.

Daniel Barenboim can be a frustrating – and frustrated – conductor. When his grand plans don’t quite come off, he can become irritable, his gestures more didactic and his brow ever more distractedly mopped. Not so in this concert, however.

If you move in academic, corporate or philanthropic circles, you will certainly have attended speeches and lectures about leadership, or come across relevant literature about it. Well, if you were in the Helsinki Music Center’s Concert Hall at 5pm last Saturday, you’d be sure that attending the previous week’s rehearsals would have saved you the need for leadership books and conferences.

Onwards Daniel Barenboim and the West-Eastern Divan Orchestra went, then, jumping forwards from a rousing Fifth to the Eighth, once again playing the later, even-numbered half of a ‘pair’ before the odd. Asked why the Seventh was much preferred publicly to the Eighth, Beethoven is apocryphally to have replied: “because the Eighth is so much better.