An uneven performance at Carnegie Hall by The Orchestra of St Luke’s

Par Edward Sava-Segal, 19 octobre 2019

Chargement en cours, veuillez patienter...

Voir le listing complet

“contrasts between stormy and serene, jocular and melancholy kept the listeners focused”

Critique faite à Carnegie Hall: Stern Auditorium, New York, le 17 octobre 2019

Mendelssohn, Les Hébrides (ou La Grotte de Fingal), Op.26

Bach, Concerto pour clavier no. 1 en ré mineur, BWV1052

Bach, Concerto pour clavier no. 5 en fa mineur, BWV1056

Mendelssohn, Symphonie no. 3 en la mineur, «écossaise», Op.56

Bach, Partita no. 1 en si bémol majeur, BWV825: Gigue (Encore)

Orchestra of St Luke's

Bernard Labadie, Direction

Beatrice Rana, Piano

Kinan Azmeh offers a sampling of delights with St Luke’s

No’a L. bat Miri, 15th April

As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.

****1

Minimalism with a beating heart: Julius Eastman's Femenine

Kurt Gottschalk, 4th February

The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.

****1

Pichon crafts inventive Beethoven program with Orchestra of St Luke's

Cameron Kelsall, 6th November

The French conductor pairs Beethoven’s Ninth Symphony with several of the composer’s more obscure miniatures, performed alongside thematically related poetry.

*****

A resplendent St John Passion at Carnegie Hall

Susan Stempleski, 10th April

Principal Conductor Bernard Labadie leads the Orchestra of St Luke’s in a superbly sung and played performance of Bach’s fiery and dramatic St John Passion.

****1

Promethean Fire and an homage to Carolyn Adams ignite Paul Taylor

Carla Escoda, 6th November

A chilling masterpiece, a tribute to a beloved dancer, and the announcement of a new resident choreographer galvanized the Paul Taylor Dance gala audience at New York's Lincoln Center.

****1

Three premieres – heard twice – in New York

Kurt Gottschalk, 25th July

It can be a pleasure to hear an unfamiliar piece twice in the same program. Here, we heard three premieres fresh and then repeated after composer comments.

***11

Plus de critiques...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.