Ravel, Maurice (1875-1937) | L'Enfant et les Sortilèges | Livret de Colette |
Stravinsky, Igor (1882-1971) | Petrouchka |
Komische Oper Berlin | ||
Markus Poschner | Direction | |
Suzanne Andrade | Mise en scène | |
Pia Leong | Décors | |
1927 | Costumes | |
Esme Appleton | Mise en scène | |
Katrin Kath | Costumes | |
Ulrich Lenz | Dramaturgie | |
Diego Leetz | Lumières | |
Paul Barritt | Vidéaste | |
Tiago Alexandre Fonesca | Acrobatics | |
Pauliina Räsänen | Acrobatics | |
Slava Volkov | Acrobatics | |
Orchester der Komischen Oper Berlin | ||
Nadja Mchantaf | Soprano | L'Enfant |
Brigitte Geller | Soprano | La Chauve-Souris, Une pastourelle |
Julia Giebel | Soprano | Le Feu, Le Rossignol, La Princesse |
Mirka Wagner | Mezzo-soprano | La Chouette, La Bergère Louis XV |
Maria Fiselier | Mezzo-soprano | La Chatte, L'Écureuil |
Ezgi Kutlu | Mezzo-soprano | La Tasse chinoise, La Libellule, Maman |
Ivan Turšić | Ténor | Le Petit Vieillard, La Rainette, La Théière |
Denis Milo | Basse | Le Chat, L'Horloge comtoise |
Carsten Sabrowski | Basse | Le Fauteuil, Le Chêne |
Following the breath-taking success of the Magic Flute, which has set out from Berlin to take the whole world by storm, the British theatre group »1927« is returning to the Komische Oper Berlin – with two works which seem almost to have been written for the absolutely boundless imaginations of these image-conjurers and their astonishing combination of animation and live performances by actors ...
In Stravinsky's ballet burlesque, three puppets are brought to life by their sadistic puppet-master – the delicate ballerina, the coarse but warm-hearted muscleman and the clumsy clown Petrushka. Continuously exhibited and tortured by his master, Petrushka finally manages to escape. Yet his long-yearned-for freedom does not last long ...
By contrast, the ill-mannered and destructive child in Ravel's surreal and fantastical fantaise lyrique experiences a living nightmare when the objects maltreated by him, such as an armchair, teapot and wallpaper, come to life and set about their tormentor.
In rapid, revue-like sequence, Ravel uses richly impressionistic colours to paint an array of different characters – from the Chinese cup and hectically ticking grandfather clock to the mourning fairytale princess. With rich, traditional sounds, Stravinsky describes the colourful goings-on at the fair, finds delicate notes for his ballerina, powerful sounds for the muscleman and mercurial, clown-like melodies for the freedom-loving Petrushka. Stage, sounds, singers and acrobats meld into an experience which intoxicates all the senses.
Ticket costs: 12 - 92 €