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| Reimann, Aribert (1936-2024) | Lear |
| Komische Oper Berlin | ||
| Nicholas Carter | Direction | |
| Barrie Kosky | Mise en scène | |
| Rebecca Ringst | Décors | |
| Klaus Bruns | Costumes | |
| Olaf Freese | Lumières | |
| Orchester der Komischen Oper Berlin | ||
| Chorsolisten der Komischen Oper Berlin | ||
| Sophia Jira | Dramaturgie | |
| Holger Schwark | Son | |
| Vocalconsort Berlin | ||
| David Cavelius | Chef de chœur | |
| Scott Hendricks | Baryton | Lear |
| Rosie Aldridge | Mezzo-soprano | Goneril |
| Nicole Chevalier | Soprano | Regan |
| Penny Sofroniadou | Soprano | Cordelia |
| Philipp Meierhöfer | Basse | Duke of Albany |
| Johannes Dunz | Ténor | Duke of Cornwall |
| Dimitry Ivashchenko | Basse | King of France |
| Günter Papendell | Baryton | Earl of Gloucester |
| Aryeh Nussbaum Cohen | Contre-ténor | Edgar |
| Brenton Ryan | Ténor | Edmund |
| Ivan Turšić | Ténor | Earl of Kent |
| Dagmar Manzel | Soprano | Fool |
A storm is brewing! Lear, the stunning masterpiece opera by Aribert Reimann, is returning to the Komische Oper Berlin, where this monumental tale of an ageing king was previously staged by Harry Kupfer and Hans Neuenfels. At Tempelhof Airport, Barrie Kosky is now presenting his astonishing vision of the battle for power that rages over Shakespeare’s haunting father figure.
King Lear is inching toward death. He plans to divide his kingdom among his three daughters, with the largest share going to the one who shows him the greatest love. While Goneril and Regan try to outdo one another in their lavish declarations, Cordelia, the youngest, rejects the contest. She, who truly loves her father, refuses to participate – thereby wounding him deeply.
As a result, Lear disowns his favourite daughter. Now lacking a dowry, she is married off by her father to the King of France, who later decides to invade Lear’s lands. The kingdom is divided between Goneril and Regan, who eventually unite in open contempt for their ageing father. Accompanied only by his Fool, the old king wanders across an open field through rain and storm at night…
Premiering in 1978, Aribert Reimann’s Lear condenses Shakespeare’s monumental drama into eleven scenes, some unfolding simultaneously, creating a timeless masterpiece of unparalleled vocal and instrumental power. Barrie Kosky stages this classic of modern music theatre as the endgame of a king who knows how little time he has left, yet refuses to hear the truth. A man who is loved, but must die alone.

