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LearNouvelle production

Tempelhof AirportBerlin, Allemagne
Dates/horaires selon le fuseau horaire de Berlin
mercredi 16 septembre 202619:30
vendredi 18 septembre 202619:30
dimanche 20 septembre 202619:30
mardi 22 septembre 202619:30
jeudi 24 septembre 202619:30
samedi 26 septembre 202619:30
mardi 29 septembre 202619:30
jeudi 01 octobre 202619:30
samedi 03 octobre 202619:30
Artistes
Komische Oper Berlin
Nicholas CarterDirection
Barrie KoskyMise en scène
Rebecca RingstDécors
Klaus BrunsCostumes
Olaf FreeseLumières
Orchester der Komischen Oper Berlin
Chorsolisten der Komischen Oper Berlin
Sophia JiraDramaturgie
Holger SchwarkSon
Vocalconsort Berlin
David CaveliusChef de chœur
Scott HendricksBarytonLear
Rosie AldridgeMezzo-sopranoGoneril
Nicole ChevalierSopranoRegan
Penny SofroniadouSopranoCordelia
Philipp MeierhöferBasseDuke of Albany
Johannes DunzTénorDuke of Cornwall
Dimitry IvashchenkoBasseKing of France
Günter PapendellBarytonEarl of Gloucester
Aryeh Nussbaum CohenContre-ténorEdgar
Brenton RyanTénorEdmund
Ivan TuršićTénorEarl of Kent
Dagmar ManzelSopranoFool

A storm is brewing! Lear, the stunning masterpiece opera by Aribert Reimann, is returning to the Komische Oper Berlin, where this monumental tale of an ageing king was previously staged by Harry Kupfer and Hans Neuenfels. At Tempelhof Airport, Barrie Kosky is now presenting his astonishing vision of the battle for power that rages over Shakespeare’s haunting father figure.

King Lear is inching toward death. He plans to divide his kingdom among his three daughters, with the largest share going to the one who shows him the greatest love. While Goneril and Regan try to outdo one another in their lavish declarations, Cordelia, the youngest, rejects the contest. She, who truly loves her father, refuses to participate – thereby wounding him deeply.

As a result, Lear disowns his favourite daughter. Now lacking a dowry, she is married off by her father to the King of France, who later decides to invade Lear’s lands. The kingdom is divided between Goneril and Regan, who eventually unite in open contempt for their ageing father. Accompanied only by his Fool, the old king wanders across an open field through rain and storm at night…

Premiering in 1978, Aribert Reimann’s Lear condenses Shakespeare’s monumental drama into eleven scenes, some unfolding simultaneously, creating a timeless masterpiece of unparalleled vocal and instrumental power. Barrie Kosky stages this classic of modern music theatre as the endgame of a king who knows how little time he has left, yet refuses to hear the truth. A man who is loved, but must die alone.

© Jan Windszus
© Jan Windszus