Oslo Philharmonic takes an unusual approach to two masterpieces

Par Edward Sava-Segal, 14 septembre 2019

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“grimaces and grandiloquent gestures were totally absent”

Critique faite à Sala Palatului (Salle du palais), Bucarest, le 13 septembre 2019

Torvund, Morgon i skogen (Forest Morning)

Grieg, Concerto pour piano en la mineur, Op.16

Grieg, Pièces lyriques: Marche norvégienne, Op.54 no.2

Bartók, Concerto pour orchestre, Sz 116

Vasily Petrenko, Direction

Leif Ove Andsnes, Piano

Orchestre philharmonique d'Oslo

Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

****1

Klaus Mäkelä voit double dans Brahms avec l'Orchestre d'Oslo

Jean-Pierre Rousseau, 4th June

Le directeur musical de la phalange norvégienne ajoute à la baguette sa casquette de violoncelliste dans le Double Concerto de Brahms avec Daniel Lozakovich, avant une Première Symphonie remarquable.

****1

Un morceau d'éternité : Mäkelä et Oslo dans la Troisième de Mahler

Augustin Javel, 10th May

Klaus Mäkelä se présente sur le podium de la Philharmonie avec son autre orchestre, le philharmonique d'Oslo, dans une intense Symphonie nº 3 de Mahler.

*****

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

At the Enescu Festival, the Oslo Philharmonic takes an unusual approach to two masterpieces