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A fine showing for the 1884 Italian version of Don Carlo at the Met

Günther Groissböck (Filippo) and Peter Mattei (Posa)
© Ken Howard | Met Opera
Yulia Matochkina (Eboli) and Eleanora Buratto (Elisabetta)
© Ken Howard | Met Opera
Don Carlo
© Ken Howard | Met Opera
John Relyea (Grand Inquisitor) and Günther Groissböck (Filippo)
© Ken Howard | Met Opera
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“Peter Mattei... almost brought the show to a halt after his death scene”
Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 7 novembre 2022
Verdi, Don Carlo(s) (Sung in Italian)
Metropolitan Opera
Carlo Rizzi, Direction
Sir David McVicar, Mise en scène
Charles Edwards, Décors
Brigitte Reiffenstuel, Costumes
Adam Silverman, Lumières
The Metropolitan Opera Orchestra
The Metropolitan Opera Chorus
Günther Groissböck, Filippo II
Rafael Davila, Don Carlo
Peter Mattei, Rodrigo, Marchese di Posa
John Relyea, Il Grande Inquisitore
Eleonora Buratto, Elisabetta di Valois
Yulia Matochkina, La Principessa Eboli
Alexandros Stavrakakis, Un frate
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Tristan und Isolde at the Met: staging gets in the way of the music
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Ailyn Pérez is the perfect Butterfly in the Met’s revival
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Vocal thrills in Met’s traditional staging of Bellini’s I puritani
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Porgy and Bess returns stronger than ever at the Met
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