Listen with Aurora at Kings Place

Par Mark Pullinger, 17 décembre 2016

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“the Carnival roared, crowed, trumpeted and rustled with good humour”

Critique faite à Kings Place: Hall One, Londres, le 16 décembre 2016

Fauré, Dolly Suite: Berceuse

Mozart, Concerto en fa majeur pour trois pianos, no. 7, « Lodron », K242

Saint-Saëns, Le Carnaval des animaux

Mozart, Symphonie no. 31 en ré majeur, «Paris», K297 (K300a)

Ravel, Suite - Ma Mère l'Oye

Bizet, L'Arlésienne, Suite no. 1: Adagietto

Aurora Orchestra

Lara Melda, Piano

Martin James Bartlett, Piano

Nicholas Collon, Direction

À Saanen, l’orateur Angelich devant l’Aurora Orchestra

Tristan Labouret, 7th February

Aux Sommets musicaux, Nicholas Angelich a délivré une interprétation formidable du Concerto n° 24 de Mozart, avant que l'Aurora Orchestra ne se lève dans la Symphonie n° 1 de Beethoven.

****1

Echoes of Youth from the Aurora principals at Kings Place

Mark Valencia, 19th March

Billed under the heading ‘Echoes of Youth’, this Kings Place programme is an attractive ragbag of unlikely bedfellows.

****1

Brett Dean and Lotte Betts-Dean unlock musical memories at Kings Place

Eleanor Knight, 17th January

Father and daughter team of Brett Dean and Lotte Betts-Dean join forces for the opening concert of Kings Place’s ‘Memory Unwrapped’ season.

****1

Aurora dazzle in Edinburgh International Festival debut

Simon Thompson, 18th August

Aurora Orchestra turn Shostakovich's Fifth Symphony inside out to exhilarating effect in a dazzling performance in their Scottish debut. Abel Selaocoe’s Four Spirits, on the other hand, has surface shine but not much substance.

****1

Aurora Orchestra pulls off another dramatic performance from memory

Nick Boston, 17th August

Nicholas Collon and the Aurora Orchestra, together with Frantic Assembly, present an illuminating analysis of Shostakovich's Fifth Symphony, followed by a blistering account of the work from memory.

****1

“Earth Unwrapped” reveals mixed bag: Aurora Orchestra and BBC Singers

Eleanor Knight, 31st January

The exquisite ensemble of Aurora and BBC Singers in the intimate setting of Kings Place are reason enough to linger longer on earth.

***11

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

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