Imogen Cooper plays Schumann at the RWCMD Steinway Series

Par Philip May, 26 février 2014

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“Perhaps there is some humorous potential in Schumann after all.”

Critique faite à RWCMD: Dora Stoutzker Hall, Cardiff, le 23 février 2014

Schumann C., Romance in B flat major, Op.22 no.3

Schumann, Romance en fa dièse majeur, Op.28 no.2

Schumann C., 4 pièces caractérstiques, Op.5: Scene fantastique, no.4

Schumann, Humoresque en si bémol majeur, Op.20

Brahms, Thème et Variations en ré mineur pour Piano, Op.18

Schubert, Sonate pour piano no. 21 en si bémol majeur, D.960

Schumann, Scènes de la forêt (Waldszenen), Op.82 (no.7 Vogel als Prophet)

Dame Imogen Cooper, Piano

Une grandiose neuvième symphonie de Bruckner par le BBC Scottish Symphony Orchestra

Julie Jozwiak, 25th September

Après un concerto pour piano de Mozart un peu décevant malgré l'interprétation très juste d'Imogen Cooper, le BBC Scottish Symphony Orchestra donne une lecture exaltante de la neuvième symphonie de Bruckner, sous la baguette de Thomas Dausgaard.

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The dawn of a new era: Aurora Orchestra at Kings Place

Zoltán Szabó, 17th October

In our Covid-infested world, quality music making is still possible, as demonstrated by Imogen Cooper and her Aurora Orchestra friends.

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Stirring Mozart and Tchaikovsky from Gernon, Cooper and BBC Phil

Leighton Jones, 26th January

Ben Gernon conducted the BBC Philharmonic in Manchester’s Bridgewater Hall in colourful Stravinsky and soulful Tchaikovsky, while Cooper encapsulated this in Mozart.

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Heady Mozart and Strauss for dessert

Benjamin Poore, 31st December

Imogen Cooper shone in Aurora's serious and fulsome performances of Mozart.

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Luminous decay from Imogen Cooper at Kings Place

Benjamin Poore, 28th October

A programme of late Haydn, Beethoven and Schubert explores music at the limits.

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Exuberance dominates in Simone Young’s Bruckner

Zoltán Szabó, 18th August

Imogen Cooper joined the Sydney Symphony for a performance of Beethoven's Second Piano Concerto.

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Plus de critiques...

Philip May

A twice graduate of the RWCMD (BMus & MMus), Philip developed a strong interest in both early and 20th century music, particularly the works of the Second Viennese School and the late William Alwyn. A pianist and ensemble musician, Philip plays with the TripTych Trio and has a particular interest in orchestral and chamber music.