En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Le Vaisseau fantôme (Der fliegende Holländer)

Pleinement respectueuse de l’esthétique de l’époque de la création de l’œuvre, la nouvelle production signée Michel Fau remporte un beau succès à Toulouse, avec une distribution, un orchestre et un chœur excellents.

Si la mise en scène de Willy Decker accuse son âge dans une production inégale, l'œuvre de Wagner bénéficie de l'incarnation parfaite de Ricarda Merbeth et de la direction inspirée d'Hannu Lintu.

La première du nouveau Vaisseau fantôme au Festival d'opéra de Québec charme par la proposition scénique originale de François Girard mais déçoit beaucoup sur le plan vocal et orchestral.

Diana Damrau a fait vibrer l'Opéra de Marseille lors d'un récital qui restera dans les anales de l'institution marseillaise. 

En cette année 2015, Le Vaisseau Fantôme est à l'affiche du festival Wagner de Budapest. Malgré une belle distribution dans l’ensemble et un orchestre inventif sous la baguette d'Adam Fischer, la production de Balázs Kovalik est assez contestable.

Le Vaisseau fantôme démonté sur les quais du Rhône dans la nouvelle production de la compagnie barcelonaise Fura dels Baus : une scénographie qui marque les esprits. 

Seefahrender Konquistador des 16. Jahrhunderts trifft auf ausbeuterischen Plantagenbesitzer des 19. Jahrhunderts: die Regisseurin Anika Rutkofsky veleiht dem Fliegenden Holländer in Nürnberg eine eigene Wendung.

Amid the rough winds of late May, Julia Burbach directs Opera Holland Park's first venture into Wagner – The Flying Dutchman. 

Ireland’s first Wagner opera in over a decade dazzles with a captivating production by Rachael Hewer for Irish National Opera. 

Música y escenografía se funden en un todo para presentar un embelesador El holandés errante en Les Arts.

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers. 

Das reine Bebildern ist nicht Sache des Regisseurs Dmitri Tcherniakov. Bei seiner radikalen Lesart der Oper fahren das Gehörte und das Gesehene auf zwei Schienen. Musikalisch ist die Wiederaufnahme ein Hochgenuss.

Terfel's performance as the legendary sailor is stronger than ever and, one or two issues aside, this revival of Tim Albery's production is a compelling account of Wagner's first mature work. 

OperaUpClose's vision of a dystopian England through Wagner's Flying Dutchman, distilled for chamber forces, receives strong performances from the cast and Manchester Camerata players.

The Flying Dutchman – or Le Vaisseau fantôme as it is known in French – makes a fleeting appearance at the Grand Théâtre de Provence in a rousing concert performance conducted by the dapper François-Xavier Roth. 

Sailor suits and powder-puff bows as Herbert Fritsch directs a colourful new production in Berlin. 

Tcherniakovs Holländer feiert die erste Wiederaufnahme – mit gestandenen Festspielgrößen und einer eindrucksvollen Debütantin.

Regisseur Roger Vontobel veranschaulicht durch tänzerische Doubles die innere Gefühlswelt seiner Hauptfiguren.

Inmitten von szenischer Langeweile und enttäuschenden Gesangsleistungen verhindern nur die Grazer Philharmoniker unter Roland Kluttig am Premierenabend ein Totaldebakel.

Great performances cannot rescue the Norwegian director's superficial treatment of a classic ghost story.

Vor allem die Bayreuth-Debütantinnen Lyniv und Grigorian machen aus Wagners frühem Werk ein orchestrales wie vokales Fest.

Konwitschnys Kult-Holländer wird im Rahmen der Münchener Opernfestspiele für eine einzige Vorstellung wiederaufgenommen.

François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta.

Markus Marquardt und Stefan Cerny imponieren in einer nüchternen Inszenierung an der Volksoper Wien.

With a glinting voice of a youthful sheen, like bracing Nordic air, Kirstin Sharpin was entirely convincing as the obsessed dreamer, Senta.

The battle of the choirs is a thrilling moment in just about any performance of Dutchman, but produces shock and awe in the live acoustics of Budapest's Bartok Bela Concert Hall.

Die Münchner Philharmoniker brachten Wagners Fliegenden Holländer – gegen alle Widrigkeitenin – erfolgreich zur Aufführung.

Bergen National Opera’s new production allows the story to speak to itself, while strong performances from Eric Halfvarson and Elisabeth Teige gave the performance its edge.

Darmstadt's Flying Dutchman was a gripping Romantic ghost story with a stong Senta in Astrid Weber. 

Iain Paterson's house debut as the Holländer was sufficient reason to drop anchor in the Main for this revival of David Bösch's 2015 production. 

Philipp Stölzl's production of Der fliegende Holländer, which places the action within a giant frame in a library, arrives at The Liceu.

Eric’s dream of a love story with no redemption in Christian Spuck's new production of Der fliegende Holländer at Deutsche Oper Berlin. 

Yannick Nézet-Séguin led an intriguing performance of Wagner's Flying Dutchman at the Met with a superb orchestra and an excellent ensemble of singers. 

Oksana Lyniv se estrena en la dirección de la ópera wagneriana y ofrece una lectura solvente de Un holandés errante de resultados desiguales, tanto en la escena, como en las voces, de entre las que Dohmen fue de lo mejor de la noche.

La Fura ofrece en este Holandés un espectáculo mayúsculo, de una superficialidad inteligente, acompañado por un elenco solvente y un foso con escaso sentido narrativo. 

Renaissance trifft Moderne, trifft Industriezeitalter. Der Münchner Holländer hat schrille Kontraste zu bieten, bevor er schließlich mit krachender Pyrotechnik endet.

Christopher Alden's risk-taking, Expressionist-tinged production of the early Wagner breakthrough is provocative in all the right ways.

A disconcerting production of The Flying Dutchman where the staging misses the boat.

El Holandés errante sirve a la OCNE para desplegar todo su poderío sonoro en una noche en la que la Senta de Ricarda Merbeth robó el protagonismo a un desigual Terfel.

Daisy Evans' dystopian, immersive Dutchman for Fulham Opera may be tough medicine – but, with such glorious singing on offer, it's an unmissable chance to step into Wagner's soundworld. 

Wenn sich Marc Minkowski und Olivier Py den Fliegenden Holländer vornehmen, ist der Teufel los.

In James Conlon's final performance as music director of Ravinia, he presented a magnificent Flying Dutchman with a stellar cast.

An updated but otherwise traditional Flying Dutchman directed by Jan Philipp Gloger offers plenty of enjoyment at Bayreuth, although it might not linger in the memory as long as the more controversial fare at the Festival

Der fliegende Holländer at Leeds Town Hall shows Opera North at its most exciting, in a production conducted by Richard Farnes, with Béla Perencz and Alwyn Mellor.

A pleasing performance from WNO of The Flying Dutchman, with Eric Owens brooding magnificently over the whole. 

Wagner’s Flying Dutchman with high calibre singing, a magnificent orchestra and innovative 3D effects gets a short yet successful season in Melbourne.

A dark and minimalist staging doesn't quite fire Wagner's Flying Dutchman into life at the Royal Opera House, despite worthy performances from Bryn Terfel, Adrianne Pieczonka and others under the direction of Andris Nelsons.

Christian Thielemann and his orchestra were the stars of an excellent performance of Wagner's Der fliegende Holländer. 

Hungary is a landlocked country. In fact, Budapest is an awfully long way from the sea in all directions. So it’s not the first place you’d expect to come for a production of Wagner’sFlying Dutchman that is gloriously redolent of the sea, both in staging and in the orchestral performance. But that’s what we got last night at the Hungarian State Opera.