Honeck leads Pittsburgh Symphony in an astonishing Beethoven 9

Par William E Ford, 07 juin 2019

Chargement en cours, veuillez patienter...

Voir le listing complet

“Honeck understands this hall and coaxes his orchestra to keep its sound clean and clear”

Critique faite à Heinz Hall, Pittsburgh, le 6 juin 2019

Leshnoff, Double Concerto for Clarinet and Bassoon (World Premiere & PSO Commission)

Beethoven, Symphonie no. 9 en ré mineur, Op.125

Pittsburgh Symphony Orchestra

Manfred Honeck, Direction

Michael Rusinek, Clarinette

Nancy Goeres, Basson

Christina Landshamer, Soprano

Jennifer Johnson Cano, Mezzo-soprano

Mendelssohn Choir of Pittsburgh

Werner Güra, Ténor

Shenyang, Baryton-basse

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

Manfred Honeck and the Pittsburgh Symphony captivate in Bruckner

Sam Jacobson, 20th February

Honored by the Bruckner Society of America, Manfred Honeck conducts a majestic and architecturally assured account of Bruckner’s Eighth, paired with Samy Moussa’s evocative Adgilis Deda.

*****

Piquant Poulenc, solemn Sibelius at the Pittsburgh Symphony

Sam Jacobson, 16th January

Dima Slobodeniouk returns to Pittsburgh for works by Finnish composers, and the Jussen brothers delight with Poulenc.

****1

Honeck and Pittsburgh Symphony make a strong Shostakovich statement

No’a L. bat Miri, 3rd December

Carnegie Hall's visit from the Steel City's Symphony demonstrates a thoughtful ensemble's ability to make music speak clearly, even without words.

*****

Grimaud’s glittering Gershwin highlights Pittsburgh Symphony program

Sam Jacobson, 7th November

Domingo Hindoyan’s Pittsburgh Symphony debuts spans sharp contrasts from Gershwin’s piano concerto to Franck’s symphony.

***11

Dalia Stasevska makes a radiant Pittsburgh Symphony debut

Sam Jacobson, 17th October

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia Stasevska’s noteworthy debut.

****1

Plus de critiques...

William E Ford

William has enjoyed classical music for over five decades. He is a frequent concertgoer and blogs about classical music . He has a YouTube channel in which he interviews a variety of people in the world of music, such as composers, musicians, writers, and artistic directors. William is a clinical psychologist.