En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Urs Schönebaum

Heroes emerge in adversity, and there are sterling turns from Leigh Melrose as a pugilistic Golaud and from the venerable Arkel of Matthew Best.

Nach pandemiebedingter Pause hat sich die Bayerische Staatsoper mit einem cineastischen Opernprojekt von Marina Abramović zurückgemeldet.

Despite theatrical drawbacks, this Wozzeck is heartily recommend due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.

Der himmlische Chor und das Orchester glänzen in Àlex Ollés Inszenierung, die der Musik szenisch nicht gerecht wird.

In the final instalment of aus LICHT, the Helicopter String Quartet lives up to the publicity hype and choirs perform marvellous feats.

The second day of aus LICHT is one mesmerising highlight after another, including the Netherlands Youth and Children’s Choirs in one magical and one sinister procession.

The performers in Part 1 of aus LICHT at the Holland Festival are amazing, but the production doesn’t rev up until the Archangel Michael goes on his dizzying world tour.

Kentridge’s use of video technology creates another, highly complex, visual score next to Berg’s sonic one.

Jean-Paul Scarpitta’s San Carlo staging was almost as minimal as a biblical oratorio.

Tras décadas de olvido en Europa, la obra maestra de Ginastera llega al Teatro Real con una nueva producción de Pierre Audi y la enérgica batuta de David Afkham

Marina Abramović revealed her new technique for listening to music in a concert at the Park Avenue Armory featuring a majestic performance of Bach's Goldberg Variations by pianist Igor Levit.