Klaus Mäkelä is speaking... Chicago is listening

Klaus Mäkelä conducts the Chicago Symphony Orchestra

Scott Hostetler

Klaus Mäkelä conducts the Chicago Symphony Orchestra

Par Graham Meyer, 20 février 2026

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“Mäkelä coaxed a tremolo as quiet as breathing from the Chicago strings”

Critique faite à Chicago Symphony Center, Chicago, le 19 février 2026

Sibelius, Suite Lemminkäinen (Quatre Légendes) pour orchestre, Op.22

Strauss R., Une vie de héros (Ein Heldenleben), Op.40

Chicago Symphony Orchestra

Klaus Mäkelä, Direction

Riccardo Muti et Chicago, un couple légendaire à la Philharmonie

Pierre Liscia-Beaurenaut, 13th January

Dans un programme « italien » qui associait la création française d'une œuvre de Glass à des partitions de Mendelssohn et Strauss, le chef et l'orchestre ont montré leur singularité.

****1

Chicago et Muti à la Philharmonie : puissance et robustesse !

Augustin Javel, 17th January

Le Chicago Symphony Orchestra et Riccardo Muti ont montré tout leur savoir-faire dans une soirée Wagner-Hindemith-Dvořák éclatante – quoique parfois clinquante.

****1

Un triomphe pour Muti à Pleyel

Constance Clara Guibert, 26th October

Des bravos fusaient déjà à l’entrée de Muti sur scène. Plongés dans un Oiseau de feu légendaire, fascinant, évident, puis littéralement soulevés par un bis patriotique chargé de sens et d'énergie, les spectateurs de Pleyel ne se remettront pas aisément de la venue du maestro.

****1

Matthew Aucoin’s Song of the Reappeared premieres in Chicago

Graham Meyer, 4th December

A strong world premiere of Aucoin's evocative and immediate Song of the Reappeared, a concerto for voice written for soprano Julia Bullock which sets vivid imagery by a poet who suffered under authoritarianism.

*****

Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago

Graham Meyer, 20th November

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral.

****1

Daniela Candillari makes her Chicago Symphony Orchestra debut

Graham Meyer, 3rd October

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi.

****1

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Graham Meyer

Graham is a Chicago-based arts and culture journalist, covering all forms of live performance, and specializing in classical music. His work has appeared extensively in Chicago magazine and Crain’s Chicago Business, as well as in The Chicago Tribune and at Chicago Classical Review. He has also covered dining and restaurants, winning a City and Regional Magazine Award for the restaurant newsletter Dish. Semi-professionally, he sings baritone in the choir Vox Venti, plays amateur piano, and composes music, especially choral. Apart from music, he constructs crossword puzzles and plays competitive bridge with his teenage daughter.