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Russell Thomas shines in David Alden's gloomy Otello staging in Washington DC

Par Vishnu Bachani, 27 octobre 2019
Chargement en cours, veuillez patienter...
Voir le listing complet
“George Gagnidze brought power and passion to the tricky role of Iago”
Critique faite à Kennedy Center: Opera House, Washington, le 26 octobre 2019
Programme
Verdi, Otello
Artistes
Washington National Opera
Daniele Callegari, Direction
David Alden, Mise en scène
Jon Morrell, Décors, Costumes
Russell Thomas, Otello
Leah Crocetto, Desdemona
George Gagnidze, Iago
Deborah Nansteel, Emilia
Zach Borichevsky, Cassio
Wei Wu, Lodovico
Ian Rutherford, Associate Director
Andrew Cutbush, Lumières
Maxine Braham, Chorégraphie
Washington National Opera Chorus
Washington National Opera Orchestra
Voir plus de critiques Opéra
Washington National Opera marches onward with a joyous Treemonisha
Sam Jacobson, 15th March
A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.
****1
WNO's Samson et Dalila shows how sweet love's poison can sound
Sydney Boyd, 1st March
Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center. 
****1
A #metoo Don Giovanni at Washington National Opera
Sydney Boyd, 29th February
Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.
****1
Washington National Opera's merry take on Mozart's Magic Flute
Sydney Boyd, 2nd November

Could The Magic Flute be the next Nutcracker? A child-friendly take on the classic in a mash-up of pyramids and petticoats.

***11
Venera Gimadieva leads a moving Traviata in DC
Ako Imamura, 21st October
A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.
****1
Musically resplendent Don Carlo in Washington
Edward Sava-Segal, 3rd March
The team of soloists, the chorus and the orchestra, under the baton of Philippe Auguin, powerfully conveyed the spectacular qualities of Verdi's Don Carlo.
****1
Plus de critiques...
Lire critiques de
Andrew CutbushDaniele CallegariDavid AldenDeborah NansteelGeorge GagnidzeGiuseppe VerdiIan RutherfordJon MorrellLeah CrocettoMaxine BrahamOtelloRussell ThomasWashington National OperaWashington National Opera ChorusWashington National Opera OrchestraWei WuZach Borichevsky
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Vishnu Bachani
Vishnu Bachani
Dividing his time between New York and London, Vishnu Bachani is a recent graduate of New York University in mathematics and music. Interested in tonal music theory and analysis, he has written for The Bruckner Journal and New York Classical Review and has completed analytical research on music ranging from Wagner and Bruckner to Radiohead and Massive Attack, which he regularly posts on his website. Some cherished musicians include J.S. Bach, Gustav Mahler, and Meshuggah.