Progress thwarted: Stravinsky's Rake at the Elbphilharmonie

Par Mark Pullinger, 30 mai 2019

Chargement en cours, veuillez patienter...

Voir le listing complet

“Rake needs plenty of neoclassical punch and crispness and Hannigan and Ludwig delivered”

Critique faite à Elbphilharmonie: Grand Hall, Hamburg, le 29 mai 2019

Stravinsky, The Rake's Progress

Barbara Hannigan, Direction

Linus Fellbom, Mise en scène, Lumières

Anna Ardelius, Costumes

Gyula Rab, Tom Rakewell

Sofie Asplund, Anne Trulove

Douglas Williams, Nick Shadow

Marta Świderska, Baba the Turk

Erik Rosenius, Trulove, Mother Goose

James Way, Sellem

Cappella Amsterdam

Ludwig

Werther, Charlotte et Albert à l’Opéra de Montpellier

François Jestin, 18th May

L’Opéra Orchestre National Montpellier rouvre ses portes au public le 20 mai pour une production de Werther singulière, avec un orchestre investissant tout le parterre de l'Opéra Comédie !

****1

Salmones, suecos y puntas: Midsummer Night’s Dream en el Liceu

Maria Sánchez, 25th April

Llevada a escena por la compañía alemana Ballett Dortmund, la pieza combina clasicismo con contemporaneidad, realidad con onirismo, siendo una versión muy libre del clásico de Shakespeare.

****1

Kuss der Venus: neue Pique Dame an der Deutschen Oper Berlin

Svenja Koch, 15th March

In seiner neuen Inszenierung schafft Sam Brown mit naturalistischem Bühnenbild einen librettotreuen Kostüm- und Kulissenschinken, der die Zeiten transzendiert. Dabei heraus sticht Doris Soffel mit extravaganter Bühnenpräsenz.

****1

Royal Swedish Ballet's Julia and Romeo: surreal and modern

Graham Watts, 21st April

Ek’s vision of the romantic tragedy is seen through a distorted lens, sometimes fascinating, sometimes bemusing.

***11

A new Mats Ek Rite of Spring a leaving gift for ENB's Tamara Rojo

Graham Watts, 9th November

Ek's second, very different take on Stravinsky's Rite crowns an English National Ballet triple bill extolling the pure joy of dance and exposing the terror of forced marriage.

****1

WNO’s Figaro revival crackles with humour and exudes joie de vivre

Alice Hughes, 16th February

A solid Figaro in Cardiff, in which individual performances are a joy, and humour abounds.

****1

Plus de critiques...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.