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Fate, passion and control inspire Houston Symphony's Mozart Requiem

Par Sydney Boyd, 21 novembre 2014
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Jones Hall, Houston, le 20 novembre 2014
Programme
Beethoven, Coriolan, ouverture, Op. 62
Beethoven, Egmont, Op.84: Ouverture
Brahms, Schicksalslied (Chant du destin) pour chœur et orchestre, Op.54
Mozart, Requiem en ré mineur, K626
Artistes
Andrés Orozco-Estrada, Direction
Houston Symphony Chorus
Houston Symphony
Yulia Van Doren, Soprano
Elizabeth DeShong, Mezzo-soprano
Joel Prieto, Ténor
Evan Boyer, Basse
Voir plus de critiques Concert
Houston Symphony vividly brings Peer Gynt to life
Sam Jacobson, 28th March
Blending theater and symphony, the Houston Symphony reimagines Peer Gynt as Grieg intended – complete with dialogue, chorus, and a luminous cameo from Karita Mattila.
****1
Showpieces star in Houston Symphony’s memorable season opener
Phillip Nones, 20th September

Celebration is on the menu at the Houston Symphony Orchestra’s season opening weekend of concerts, conducted by Juraj Valčuha. 

****1
Death and lunacy in Juraj Valčuha's Houston Symphony program
Kurt Gottschalk, 15th February
A mad March hare, a murdered child, a hypochondriac prince, and a roomful of dead wives make for a stellar concert by the Houston Symphony Orchestra. 
*****
Brilliant Bach from Jane Glover and the Houston Symphony
Sam Jacobson, 3rd April
The Houston Symphony showed the many sides of Bach in a festive performance over the Easter weekend.
***11
Bach by arrangement: Houston Symphony under Esa-Pekka Salonen
Kurt Gottschalk, 27th March
Listening to arrangements of Bach is like Dostoevsky’s challenge not to think about polar bears. It’s best to put the Bach out of your thoughts, even if “the cursed thing will come to mind every minute.”
****1
Full-bodied Beethoven from Yefim Bronfman and Fabien Gabel in Houston
Phillip Nones, 6th March

Fabien Gabel and the Houston Symphony Orchestra present memorable Beethoven performances that are solidly in the Austro-German tradition.

****1
Plus de critiques...
Lire critiques de
Andrés Orozco-EstradaCoriolan, ouverture, Op. 62Egmont, Op.84: OuvertureElizabeth DeShongEvan BoyerHouston SymphonyHouston Symphony ChorusJoel PrietoJohannes BrahmsLudwig van BeethovenRequiem en ré mineur, K626Schicksalslied (Chant du destin) pour chœur et orchestre, Op.54Wolfgang Amadeus MozartYulia Van Doren
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Sydney Boyd
Sydney Boyd
Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.