Tragic Sibelius, sparkling Ravel from Saraste and Pittsburgh Symphony

Par Sam Jacobson, 22 octobre 2024

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“Saraste adroitly guided the orchestra through the movement’s complex structure”

Critique faite à Heinz Hall, Pittsburgh, le 20 octobre 2024

Bartók, Le Mandarin merveilleux, Op.19: suite

Ravel, Concerto pour piano en sol

Sibelius, Symphonie no. 4 en la mineur, Op.63

Tom Borrow, Piano

Pittsburgh Symphony Orchestra

Jukka-Pekka Saraste, Direction

Edward Gardner makes a distinctive debut at the Pittsburgh Symphony

Sam Jacobson, 17th May

Edward Gardner’s Pittsburgh Symphony debut brings freshness and intensity to Beethoven and Tchaikovsky, alongside a sparkling tribute to Michael Tilson Thomas.

****1

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

Manfred Honeck and the Pittsburgh Symphony captivate in Bruckner

Sam Jacobson, 20th February

Honored by the Bruckner Society of America, Manfred Honeck conducts a majestic and architecturally assured account of Bruckner’s Eighth, paired with Samy Moussa’s evocative Adgilis Deda.

*****

Piquant Poulenc, solemn Sibelius at the Pittsburgh Symphony

Sam Jacobson, 16th January

Dima Slobodeniouk returns to Pittsburgh for works by Finnish composers, and the Jussen brothers delight with Poulenc.

****1

Honeck and Pittsburgh Symphony make a strong Shostakovich statement

No’a L. bat Miri, 3rd December

Carnegie Hall's visit from the Steel City's Symphony demonstrates a thoughtful ensemble's ability to make music speak clearly, even without words.

*****

Grimaud’s glittering Gershwin highlights Pittsburgh Symphony program

Sam Jacobson, 7th November

Domingo Hindoyan’s Pittsburgh Symphony debuts spans sharp contrasts from Gershwin’s piano concerto to Franck’s symphony.

***11

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Tragic Sibelius and sparkling Ravel from Jukka-Pekka Saraste and the Pittsburgh Symphony