Sinaisky offers romance and revoultion in Birmingham

Par Richard Ely, 12 octobre 2017

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Critique faite à Symphony Hall, Birmingham, le 11 octobre 2017

Beethoven, Fidelio, Op. 72: Ouverture

Beethoven, Concerto pour piano et orchestre no. 5 en mi bémol majeur «l'Empereur», Op.73

Chostakovitch, Symphonie no. 12 en ré mineur "L'année 1917", Op.112

Vassily Sinaisky, Direction

Simon Trpčeski, Piano

City of Birmingham Symphony Orchestra

Les orages printaniers de Vilde Frang et Mirga Gražinytė-Tyla à Bozar

Valentin Gautron Lavarone, 22nd March

Mirga Gražinytė-Tyla et les musiciens du City of Birmingham Symphony Orchestra ont manqué de trébucher dans Schumann mais ont porté Elgar au sommet avec Vilde Frang.

***11

Au-delà des horizons : le CBSO, Mirga Gražinytė-Tyla et Yuja Wang

Sylvain Gaulhiac, 22nd May

Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.

****1

Klaus Florian Vogt au TCE avec Andris Nelsons et le CBSO : le père, le fils... et l'esprit wagnérien

Denis Peyrat, 1st June

Klaus Florian Vogt, l'un des grands ténors wagnériens actuels a interprété avec brio au Théâtre des Champs Elysées Parsifal et surtout Lohengrin. Il était magnifiquement soutenu par Andris Nelsons avec le City of Birmingham Symphony Orchestra, qui ont aussi illuminé Dvorak.

****1

Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

****1

Nelson Goerner shines with the CBSO and Rachmaninov’s Rhapsody

Robert Gainer, 9th April

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

****1

Yamada and the CBSO’s Walton expedition at the Elbphilharmonie

Mengguang Huang, 10th March

In Hamburg, Kazuki Yamada and the CBSO navigate the thorny brilliance of Walton’s First Symphony, proving that ‘difficult’ music can offer an evening’s most profound human connection.

****1

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Richard Ely

After studying History at Leicester University, Richard trained as an actor at Bristol Old Vic Theatre School and subsequently worked in theatres in London, Nottingham, Sheffield and Chester. He is the author and performer of several one-man shows, including the acclaimed Wagner: Journey Into Genius. His other writing interests include politics, culture, film and theatre. Richard’s principal devotion is to opera and music drama, especially those of Wagner and Strauss. He has an additional attachment to under-exposed late and post-Romantic composers such as Schreker and Shoeck. He also enjoys the symphonic and chamber music of this period.