The Cleveland Orchestra brings a holy Mass to Carnegie Hall

The Cleveland Orchestra in Carnegie Hall

Franz Welser-Möst conducts The Cleveland Orchestra

Franz Welser-Möst, Joélle Harvey, Daryl Freedman, Julian Prégardien and Dashon Burton

Par Cameron Kelsall, 19 janvier 2023

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“the Cleveland Orchestra Chorus... flaunted expertly controlled dynamics”

Critique faite à Carnegie Hall: Stern Auditorium, New York, le 18 janvier 2023

Berg, Suite lyrique

Schubert, Symphonie no. 8 en si mineur «Inachevée», D.759

Schubert, Messe no. 6 en mi bémol majeur, D.950

The Cleveland Orchestra

Franz Welser-Möst, Direction

Joélle Harvey, Soprano

Daryl Freedman, Mezzo-soprano

Julian Prégardien, Ténor

Martin Mitterrutzner, Ténor

Dashon Burton, Baryton-basse

The Cleveland Orchestra Chorus

Cleveland et Franz Welser-Möst en hérauts des temps passés

Julien Hanck, 16th October

Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.

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Brahms à la Salle Pleyel

Luca Dupont-Spirio, 20th September

Arrivés à Paris pour l'avant-dernière étape de leur tournée européenne, Franz Welser-Möst et l'Orchestre de Cleveland ont interprété Brahms avec une précision aussi intimidante que remarquable.

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Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

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The Cleveland Orchestra at Carnegie Hall: symphonic extremes

Sam Jacobson, 21st January

Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.

*****

A study in control and proportion: the Clevelanders’ Verdi Requiem

Edward Sava-Segal, 20th January

Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall.

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An uneven symphonic pairing from Franz Welser-Möst in Cleveland

Frank Kuznik, 10th January

Mozart and Shostakovich make an uncomfortable fit in a program designed to highlight their differences.

***11

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.