Il trittico sorgt für usikalische Highlightsin München

By Norman Schwarze, 22 December 2017

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“Tragisch, sentimental, komisch zeigt sich der morbide Dreiklang – vielschichtig wie das wahre Leben”

Reviewed at Nationaltheater, Munich on 20 December 2017

Puccini, Il tabarro

Puccini, Suor Angelica

Puccini, Gianni Schicchi

Bavarian State Opera

Kirill Petrenko, Conductor

Lotte de Beer, Director

Bernhard Hammer, Set Designer

Jorine van Beek, Costume Designer

Wolfgang Koch, Michele

Eva-Maria Westbroek, Giorgetta

Yonghoon Lee, Luigi

Martin Snell, Tinca, Simone

Kristof Klorek, Talpa

Heike Grötzinger, La Frugola, La badessa

Dean Power, Un venditore di canzonette (a song vendor), Gherardo

Ermonela Jaho, Suor Angelica

Michaela Schuster, La zia principessa, Zita

Helena Zubanovich, La suora zelatrice

Jennifer Johnston, La maestra delle novizie, La Ciesca

Anna El-Khashem, Suor Genovieffa

Ambrogio Maestri, Gianni Schicchi

Rosa Feola, Lauretta

Pavol Breslik, Rinuccio

Selene Zanetti, Nella

Christian Rieger, Betto di Signa

Sean Michael Plumb, Marco

Donato di Stefano, Maestro Spinelloccio

Andrea Borghini, Ser Amantio di Nicolao

Milan Siljanov, Pinellino

Boris Prýgl, Guccio

Alex Brok, Lighting Designer

Sören Eckhoff, Choirmaster / chorus director

Malte Krasting, Dramaturgy

Bayerisches Staatsorchester

Bayerischer Staatsopernchor

Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper

Mark Pullinger, 6th December

Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.

****1

No fairy tale: Kušej’s Rusalka works with devastating force in Munich

Orsolya Gyárfás, 26th July

Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

****1

Everlasting Everding: another beautiful Munich Zauberflöte revival

Laura Servidei, 4th January

August Everding’s Magic Flute is revived in Munich with a solid cast for the enjoyment of all ages.

***11

And they were the most divine gods: Das Rheingold in Munich

Phillip Richter, 3rd November

Tobias Kratzer's prelude to this new Ring cycle exceeds all expectations and scores a musical-theatrical success.

*****

All play and no work: an exuberant Figaro in Munich

Orsolya Gyárfás, 17th July

Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.

****1

Waltzing masks and masquerades in Kosky’s new Fledermaus

Zenaida des Aubris, 23rd December

Expect sequins and swinging chandeliers in the Australian director's new Fledermaus at the Bayerische Staatsoper.

****1

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Norman Schwarze

Norman ist Münchner, absoluter Reisefanatiker, Blogger und Opernliebhaber seit frühester Kindheit. Besonders begeistert er sich für progressive Inszenierungen und Stücke des 21. Jahrhunderts. Nach seinem Studium der Allgemeinen Sprachwissenschaften orientierte er sich neu und arbeitet nun als Produktmanager im Börsenumfeld. Das ist sein Blog: www.annees-de-pelerinage.com

Aufs Wesentliche reduziert: Il trittico sorgt für musikalische Highlights an der Bayerischen Staatsoper