Designer/director Antony McDonald treads a perfectly weighted path between light and dark of the fairytale; conductor Sebastian Weigle cooks up a Wagnerian storm; Michaela Schuster steals the show. A treat.
Guth's incisive staging of Strauss and Hofmannsthal's grandest opera proves a moving and detailed experience at its transfer to the reopened Staatsoper.
Henrik Nánási balances the Orchestra of the Royal Opera House to perfection, setting the stage for a memorable title role performance from Byström and a powerful Jochanaan from Michael Volle.
After seven years at the helm, Andris Nelsons gave his last performance with the CBSO at Symphony Hall. His future in Boston is secured, but what of the CBSO?
The second opera of the Ring Cycle in Vienna brought the best out of the orchestra and singers with a sweeping and breath taking reading of the score by Sir Simon Rattle.
Amber Wagner sings Elisabeth with a deepened command and an access to a horizon of sound that make it seem as though her throat had found six more inches of release. It’s a phenomenal performance.
With its minimalist but grandiose sets, the imposing sound of the Choir of the Dutch National Opera and the excellent conducting of Marc Albrecht, there is much to be enjoyed in this revival of Pierre Audi’s Lohengrin in Amsterdam.
Semyon Bychkov gave a reading of such clarity and quality that everything seemed obvious. In his hands, the orchestra was a precision instrument, and for Strauss fans, whether or not you like Claus Guth's staging, this production is a must-see.
As the year of Wagner’s bicentennial approaches its end, De Nederlandse Opera concludes its latest revival of Pierre Audi’s Ring cycle with his 1998 production of Götterdämmerung.
Richard Strauss and Hugo von Hofmannsthal began their collaboration on Die Frau ohne Schatten (The Woman Without a Shadow) with utopian ambitions. Unfortunately they weren’t the same ones. For Hofmannsthal, this would finally be the opera where his poetry would be illuminated by rather than buried under the music.
My last opera of the year was also my first Wagner: a new Covent Garden production of Tannhäuser, directed by Tim Albery and conducted by Semyon Bychkov.First things first: Bychkov was magnificent.
Giacomo Puccini comprehensively eclipsed the other Italian composers of his era. Three of them remain in the repertoire as one hit wonders: Mascagni, Leoncavallo and Francesco Cilea, whose four act Adriana Lecouvreur opened at Covent Garden last night.
Unter der Leitung von Kiril Petrenko überzeugt die Bayerische Staatsoper in der gelungenen Neuinszenierung von Puccinis Il trittico mit meisterlichen Klängen und exzellenter Besetzung.
L’Opéra de Paris remet au goût du jour Capriccio de Richard Strauss dans la mise en scène deRobert Carsen. L’œuvre est magnifiée par une distribution remarquable et un orchestre en très grande forme.
Schön statt schaurig: Christian Thielemann und das Staatsopernorchester liefern die erwartete Sensation, Adrian Noble inszeniert klassich mit Anklängen an Alice im Wunderland.
