L’édito d’octobre : changement d’ère pour la direction d’orchestre

By Tristan Labouret, 07 October 2020

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“Aujourd'hui, régner sur une phalange symphonique est impossible sans le consentement des musiciens”

Mark Pullinger, 7th April

The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” winning the Donatella Flick Conducting Competition and her ambition to “go against the grind”.

Opera in the blood: Speranza Scappucci

Mark Pullinger, 17th March

The Royal Opera’s Principal Guest Conductor explains her passion for opera, her journey into the pit and how good conductors share the attributes of football managers.

The world over: Bachtrack’s Classical Music Statistics 2025

Bachtrack, 28th January

How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ international connectedness. Documenting more than 30,000 events, Bachtrack’s statistics provide valuable insight into an unstable world.

Ben Glassberg on depression and a journey back to music

Elisabeth Schwarz, 16th January

Elisabeth Schwarz sits down with the British conductor to talk about his history of mental illness, his coming out and his journey back to the joy of music.

Nathalie Stutzmann joins Orchestre Philharmonique de Monte-Carlo

Bachtrack, 11th December

French conductor Nathalie Stutzmann will be the first woman to hold the position of Artistic and Music Director of Monaco’s orchestra in its 170-year history.

Houston Grand Opera names James Gaffigan as next Music Director

Bachtrack, 6th November

The American conductor will take on his first Music Director role at an American institution from the start of the 2027–28 season.

Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.