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Period: Classical

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ValenciaIvor Bolton

Ivor Bolton
Cherubini, Beethoven
Orquestra de la Comunitat Valenciana; Ivor Bolton; Cor de la Generalitat Valenciana

MoscowMarco Spada

Marco Spada
Auber: Marco Spada
Pierre Lacotte; Bolshoi Ballet; Alexey Bogorad; David Hallberg; Olga Smirnova; Bolshoi Theatre Orchestra

GothenburgTo the Memory of our loved ones

Berg, Schoenberg, Mozart
Gothenburg Symphony Orchestra; Barbara Hannigan; Veronika Eberle; Ylva Stenberg; Emma Sventelius; Gyula Rab

BudapestQuarantine Soirées

Quarantine Soirées
Beethoven, Mozart, Shostakovich, Telemann, Traditional, Pederson
Mária Gál-Tamási; Gabriella Liptai; Anett Jóföldi; Dávid Báll

AmsterdamRick Huls and Gordan Nikolić: Mozart's Clarinet Concerto

© Ronald Knapp
Kraus, Mozart, Brahms
Netherlands Chamber Orchestra; Gordan Nikolić; Rick Huls

PittsburghGil Shaham Returns

Mozart, Ravel, Pintscher, Debussy
Pittsburgh Symphony Orchestra; Matthias Pintscher; Gil Shaham

CastellónIvor Bolton

Ivor Bolton
Cherubini, Beethoven
Orquestra de la Comunitat Valenciana; Ivor Bolton; Cor de la Generalitat Valenciana

BudapestKFMNew production

Lichtik, Mozart, Piazzolla
Sharon Eyal; Gai Behar; Jiří Kylián; Hans van Manen; Hungarian National Ballet
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Comedy with knobs on: English National Opera's new Figaro

Colin Judson (Don Basilio), Louise Alder (Susanna) and Johnathan McCullough (Count Almaviva) © Marc Brenner
A witty, insightful production at the Coliseum fizzes with comedy and pathos. 
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A handsome Così fan tutte opens ETO's Spring tour

Thomas Elwin (Ferrando) and Frederick Long (Guglielmo) © Richard Hubert Smith
It is clear that these women are already ripe for plucking even before Don Alfonso unleashes his dastardly plan.
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A #metoo Don Giovanni at Washington National Opera

Ryan McKinny (Don Giovanni) © Scott Suchman
Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.
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Musical cosmologies in Kansas City

Matthew Halls © Jon Christopher Meyers | Oregon Bach Festival
Visiting conductor Matthew Halls in a programme of Haydn, MacMillan and Beethoven.
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Castellucci’s makeover of Mozart’s Requiem at the Adelaide Festival

Mozart's Requiem © Tony Lewis

A work designed to be performed in church has become a dramatic music theatre event that captured and held me enthralled throughout in a meditation on both death and life.

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Isadora Now: a precious triple bill from the Viviana Durante Company

Begoña Cao in Five Brahms Waltzes in the Manner of Isadora Duncan © David Scheinmann
A robust testimony to the powerful legacy of Isadora Duncan in Isadora Now at the Barbican.
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Joshua Bell and the ASMFs at the top of their game in Boston

Joshua Bell and the Academy of St Martin in the Fields © Robert Torres
Bell didn’t try to impress with speed nor call attention to his virtuosity; expression and color were paramount with notes sounding clearly.
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Taking Beethoven as their touchstone: the Artemis Quartet

Artemis Quartet © Nikolaj Lund
In an expertly considered programme, the Berlin-based ensemble brought together classical revolutionaries with modern homage to shine fascinating light on the form.
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