Venue: Barbican Centre, London

Giving their 27th performance of the oratorio, the London Symphony Chorus excel as angelic angels and demonic demons. 

Vilde Frang joins Sir Antonio Pappano and the London Symphony Orchestra at the Barbican for transcendent Korngold alongside darker fare.

The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 

With a spring in his step, Evgeny Kissin returns to Barbican Hall and gives well-wrought accounts of Beethoven, Chopin, Liszt and Schumann.  

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo. 

At the Barbican, Laura Bowler's new work for Barbara Hannigan translates Han Kang's novel into a soundscape of icy stillness

Good, bad, but never ugly, a curious evening unfolds at the Barbican, inspired at times, ill-judged in places.

Powerful Herbert Howells, together with affecting Shaw and engaging MacMillan from the BBC Singers, with the BBC Concert Orchestra conducted by Sofi Jeannin.