L'Orchestre de l'Opéra de Paris lumineux comme un harmonica de verre

By Pierre Liscia-Beaurenaut, 28 March 2022

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“ce soir, les musiciens font montre d'un enthousiasme et d'une humanité salutaires”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 22 March 2022

Widmann, Armonica, for glass harmonica and orchestra

Wagner, Wesendonck-Lieder

Strauss R., Le Bourgeois gentilhomme (Der Bürger als Edelmann) suite, Op.60b

Ekaterina Gubanova, Mezzo-soprano

Orchestre de l'Opéra national de Paris

Kent Nagano, Conductor

Pomp meets ping-pong: Nixon in China lands again in Paris

David Karlin, 14th March

Excellent vocal acting from Thomas Hampson, Renée Fleming, Xiaomeng Zhang and a magnificent orchestral performance conducted by Kent Nagano can't make Valentina Carrasco's production fully grip.

***11

Paris Opera Ballet: a superlative Mayerling

Naomi Mori, 6th November

Paris Opera Ballet has triumphantly revived Kenneth MacMillan’s Mayerling, two years after its company premiere in 2022.

****1

La Fille mal gardée in Paris could offer more spark and animation

Jonathan Gray, 15th March

Paris Opera Ballet tackles a British classic with aplomb but needs to delve deeper into the quintessentially British humour and charm.

****1

Thomas Adès’ high-flying Exterminating Angel in Paris

Erwan Gentric, 29th February

The French premiere of the British composer's opera will be the undisputed high point of the Grande Boutique's season: a perfect confluence of music, staging and cast.

*****

Lurching gear changes mar Bychkov's Dvořák at the Festival Ravel

Mark Valencia, 31st August

An all-Dvořák programme given by the Paris Opera Orchestra fails to full satisfy, despite a couple of exciting concert openers.

***11

Opéra de Paris pays vibrant tribute to Patrick Dupond

Laurine Mortha, 23rd February

Two years after the death of Patrick Dupond, the Paris Opera Ballet paid tribute to him in a sumptuous gala evening, with the procession of the Ballet’s stars and the the performance of three of Dupond’s most emblematic works.

*****

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Pierre Liscia-Beaurenaut

Amoureux des arts, Pierre Liscia-Beaurenaut évolue parallèlement dans les univers de la littérature et de la musique. Ancien khâgneux du Lycée Henri IV, lauréat du Concours Général en Histoire, il a étudié le violon à l'Université des Arts de Berlin et au Conservatoire National Supérieur de Musique de Lyon. Féru d'orchestre et d'opéra, il a su trouver son équilibre sur Bachtrack où, parallèlement à ses études musicales, il anime la chronique « L'Abécédaire d'un jeune violoniste », consacrée à ses tribulations dans le microcosme très fermé des musiciens classiques.

À la Philharmonie, l'Orchestre de l'Opéra de Paris lumineux comme un harmonica de verre