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LearNeuinszenierung

Tempelhof AirportBerlin, Deutschland
Datum/Zeit in Berlin Zeitzone
Mittwoch 16 September 202619:30
Freitag 18 September 202619:30
Sonntag 20 September 202619:30
Dienstag 22 September 202619:30
Donnerstag 24 September 202619:30
Samstag 26 September 202619:30
Dienstag 29 September 202619:30
Donnerstag 01 Oktober 202619:30
Samstag 03 Oktober 202619:30
Darsteller
Komische Oper Berlin
Nicholas CarterMusikalische Leitung
Barrie KoskyRegie
Rebecca RingstBühnenbild
Klaus BrunsKostüme
Olaf FreeseLicht
Orchester der Komischen Oper Berlin
Chorsolisten der Komischen Oper Berlin
Sophia JiraDramaturgie
Holger SchwarkKlangregie
Vocalconsort Berlin
David CaveliusChorleitung
Scott HendricksBaritonLear
Rosie AldridgeMezzosopranGoneril
Nicole ChevalierSopranRegan
Penny SofroniadouSopranCordelia
Philipp MeierhöferBassDuke of Albany
Johannes DunzTenorDuke of Cornwall
Dimitry IvashchenkoBassKing of France
Günter PapendellBaritonEarl of Gloucester
Aryeh Nussbaum CohenCountertenorEdgar
Brenton RyanTenorEdmund
Ivan TuršićTenorEarl of Kent
Dagmar ManzelSopranFool

A storm is brewing! Lear, the stunning masterpiece opera by Aribert Reimann, is returning to the Komische Oper Berlin, where this monumental tale of an ageing king was previously staged by Harry Kupfer and Hans Neuenfels. At Tempelhof Airport, Barrie Kosky is now presenting his astonishing vision of the battle for power that rages over Shakespeare’s haunting father figure.

King Lear is inching toward death. He plans to divide his kingdom among his three daughters, with the largest share going to the one who shows him the greatest love. While Goneril and Regan try to outdo one another in their lavish declarations, Cordelia, the youngest, rejects the contest. She, who truly loves her father, refuses to participate – thereby wounding him deeply.

As a result, Lear disowns his favourite daughter. Now lacking a dowry, she is married off by her father to the King of France, who later decides to invade Lear’s lands. The kingdom is divided between Goneril and Regan, who eventually unite in open contempt for their ageing father. Accompanied only by his Fool, the old king wanders across an open field through rain and storm at night…

Premiering in 1978, Aribert Reimann’s Lear condenses Shakespeare’s monumental drama into eleven scenes, some unfolding simultaneously, creating a timeless masterpiece of unparalleled vocal and instrumental power. Barrie Kosky stages this classic of modern music theatre as the endgame of a king who knows how little time he has left, yet refuses to hear the truth. A man who is loved, but must die alone.

© Jan Windszus
© Jan Windszus