Hommage chorégraphique à Maurice Ravel

Von Laurine Mortha, 17 Mai 2017

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Veranstaltung anzeigen

“un superbe moment musical, magnifiquement dirigé par le jeune chef d’orchestre Maxime Pascal”

Rezensierte Veranstaltung: Opéra national de Paris: Palais Garnier, Paris, am 14 Mai 2017

En Sol (Jerome Robbins)

La Valse (Balanchine) (George Balanchine)

Boléro (Sidi Larbi Cherkaoui, Damien Jalet)

Ballet de l'Opéra de Paris

Maxime Pascal, Musikalische Leitung

Marina Abramović, Bühnenbild

Riccardo Tisci, Kostüme

Orchestre de l'Opéra national de Paris

Emmanuel Strosser, Klavier

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

****1

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Carla Escoda, 13th May

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

*****

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Ivy Lin, 9th May

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

Weitere Kritiken...

Laurine Mortha

Danseuse amatrice depuis 20 ans, Laurine est une habituée des scènes parisiennes, classiques et contemporaines, et a été chorégraphe d'une comédie musicale amateur.

Hommage chorégraphique à Maurice Ravel au Palais Garnier