Hommage chorégraphique à Maurice Ravel

Von Laurine Mortha, 17 Mai 2017

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Veranstaltung anzeigen

“un superbe moment musical, magnifiquement dirigé par le jeune chef d’orchestre Maxime Pascal”

Rezensierte Veranstaltung: Opéra national de Paris: Palais Garnier, Paris, am 14 Mai 2017

En Sol (Jerome Robbins)

La Valse (Balanchine) (George Balanchine)

Boléro (Sidi Larbi Cherkaoui, Damien Jalet)

Ballet de l'Opéra de Paris

Maxime Pascal, Musikalische Leitung

Marina Abramović, Bühnenbild

Riccardo Tisci, Kostüme

Orchestre de l'Opéra national de Paris

Emmanuel Strosser, Klavier

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

Weitere Kritiken...

Laurine Mortha

Danseuse amatrice depuis 20 ans, Laurine est une habituée des scènes parisiennes, classiques et contemporaines, et a été chorégraphe d'une comédie musicale amateur.

Hommage chorégraphique à Maurice Ravel au Palais Garnier