Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Dessner

Mit Mahlers Erster Symphonie, die sie schon bei ihrem Einstand im Berliner Konzerthaus dirigiert hat, begeistert die deutsche Dirigentin auch das Zürcher Publikum restlos.

Dessners neues Klavierkonzert wurde von der Widmungsträgerin Alice Sara Ott und dem Tonhalle-Orchester Zürich unter der Leitung von Kent Nagano uraufgeführt. Das Werk erfüllte die Vorschusslorbeeren nicht. 

Ein Komponist des 20. Jahrhunderts, der Lully imitiert, ein Rock-Gitarrist, der ein klassisches Werk schreibt, und ein Tondichter, der sich als Philosoph ausgibt. Ein aufsehenerregendes Programm. 

Mit drei Uraufführungen zeigt dieser Abend, dass die Herausforderung zu Reaktionen zwingt und Neues hervorbringen kann.

American guitarist and composer Bryce Dessner brings a subdued palette to his debut appearance with the Czech Philharmonic.

Leading his former orchestra and soloist Pekka Kuusisto, Esa-Pekka Salonen bookends his San Francisco commission with two crowd-pleasers from the standard repertory. 

La jeune musicienne russe a réservé au public de la Chapelle protestante un récital original et de haute tenue, associant aux suites de Bach des pièces modernes dans un jeu toujours convaincant.

Missy Mazzoli's Dark with Excessive Bright is the centrepiece of the Omega Ensemble's contribution to the festival's imaginative chamber music series. 

A carefully chosen programme of exciting, short pieces which all share parallel energetic explorations of musical patterns and pulses.

Sydney Dance Company premieres Melanie Lane’s Love Lock, alongside existing repertoire Impermanence by Rafael Bonachela. It’s a work of bold genius and a dazzling double bill that's not to be missed. 

Max Richter's Recomposed: Vivaldi – The Four Seasons is performed by the Norwegian violinist Mari Samuelsen and the RTÉ Concert Orchestra. 

The UK premiere of Dessner's Piano Concerto is followed by a lavishly gorgeous account of Scheherazade. 

En l'absence d'Alice Sara Ott, censée porter la création française du Concerto pour piano de Bryce Dessner, Steve Reich a retenu toute l'attention avec une remarquable interprétation de The Desert Music.

Semyon Bychkov leads the New York Philharmonic in flattened Strauss, wondrously physical Rachmaninov, and the New York premiere of Bryce Dessner’s terrific Concerto for two pianos.

The Australian Chamber Orchestra brings music from Indie rock stars and the Polish composers who inspired them, with superb contributions from Guildhall students.

Semyon Bychkov takes the Czech Philharmonic on a joy ride through heavy-duty Russian repertoire and a rock star's woodland fantasy.

L'Orchestre de Paris retrouve Nina Stemme et Gerald Finley pour une de leurs œuvres fétiches, Le Château de Barbe-Bleue. Pekka Kuusisto donne la création française du Concerto de Bryce Dessner.

Gustavo Gimeno conducts The Cleveland Orchestra in works by Ravel and Franck, along with a recent Bryce Dessner concerto featuring the Labèque sisters.

From an unknown Mexican piece to an all-new Bryce Dessner concerto to the familiar Rite of Spring, Rouvali and the Philharmonia blow the roof off the Royal Festival Hall.

SDC delivers this long-awaited world premiere by Rafael Bonachela, featuring a Bryce Dessner score performed to perfection by the Australian String Quartet.

Sous les lumières travaillées de la grande salle Pierre Boulez, Santtu-Matias Rouvali et l'Orchestre Philharmonique de Radio France ont interprété Sibelius, Dessner et Tchaïkovski, en direct sur Philharmonie Live et Arte Concert.

La precisión suiza de la orquesta dirigida por André de Ridder, el minimalismo, las hermanas Labèque y el trompetista Manuel Blanco fueron los protagonistas del séptimo concierto del ciclo sinfónico de la ONE.

Sydney Dance Company's contrasting double bill revisits Rafael Bonachela's elegantly reflective Frame of Mind and premieres Antony Hamilton's bemusing and rave-inspired Forever & Ever.

Ballet and pop music meet in a new work by Annabelle Lopez Ochoa and other exciting collaborations by Ernst Meisner, Hans van Manen and Wubkje Kuindersma

Launching a new “Reflektor” series of short festivals, Hamburg’s Elbphilharmonie invited Bryce Dessner to curate two days of concerts.

Leonard Elschenbroich joined with the 12 ensemble for an evening dedicated to the Suite italienne, a stroll through time though with a focus on contemporary composers.

The fascinating politics of this opera are diminished by the presentation of just four scenes. The music and three strong performances almost make up as Sydney gets its first taste of this work.

The Sydney Dance Company is a great company, not just a good company.

A high-spirited divertissement from the New York City Ballet.

A serious programme for a Valentine's day concert at Sydney Opera House.

Benjamin Millepied, choreographer for the movie Black Swan, presents his company L.A. Dance Project at the Wallis Annenberg Center of the Performing Arts.

New York City Center's Fall for Dance Festival opens with performances by Miami City Ballet, L.A. Dance Project, Doug Elkins Choreography, etc. and Che Malambo

If the Kronos Quartet had their way, every new slice of contemporary music would be a string quartet. In the basement of Carnegie Hall, the Kronos Quartet premiered three new works and one newish work to celebrate the life of Kronos’ dear friend, Larry Neff.

Ivan Talijancic discusses L.A. Dance Project's New York debut, a Millepied - Peck - Forsythe mixed bill.

Works by Bryce Dessner, Ligeti, Steven Mackey and others create an intellectually stimulating evening of new music.

Benjamin Millepied's L.A. Dance Project is back in Paris with L.A. Dance Project 2, showcasing works by Millepied, Emmanuel Gat, Hiroaki Umeda and Justin Peck. At Théâtre du Châtelet. 

The Kronos Quartet celebrated its 40th birthday on Friday. In Berkeley's Zellerbach Hall, the ensemble explored its history with a performance of Black Angels but also offerred a few surprises.

Famous as a choreographer and as the star of the award-winning film Black Swan, as well as being the husband of Natalie Portman, there is a weight of expectation on the work of Benjamin Millepied. He will take up the position of Director of Dance at Paris Opera Ballet in 2014, but his latest project, performing at Sadler’s Wells this week, attempts to break free from classical ballet tradition.

Roulette has never looked so snazzy: the usual dishevelled hipsters were replaced by well-dressed audience members of all ages, wearing heels rather than flannel, drinking from wine glasses rather than beer bottles.

The concert was divided into two clear parts; the first included string quartet pieces by Bryce Dessner, Nico Muhly and Sufjan Stevens, and the other half consisted of Planetarium, a multi-dimensional song-cycle for string quartet, trombones, piano, celesta, synthesizer, drums, drum machine, guitar and voice.

Cool venue – cool ensemble – cool concert! The Kronos quartet are successful where so many fail in bringing the often-too-distinct worlds of pop/rock and classical together. This concert highlighted their commitment to forging their own performance aesthetic by only programming music that has been written specifically for them.