Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Julia Fischer

Michael Tilson Thomas steht seit Jahrzehnten wieder am Pult des BRSO, mit dem „Monument der amerikanischen Symphonik”, Coplands Dritter Symphonie. 

Neben Prokofjews Erstem Violinkonzert glitzerte das Orchestre National de France unter Lionel Bringuier in Debussy und Rimsky-Korsakow.

Zusammen mit Julia Fischer und Augustin Hadelich gestaltete die Academy ein himmlisches Musikvergnügen.

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

Mit den Wiener Symphonikern unter Lahav Shani brillierte Julia Fischer in Brahms' Violinkonzert.

Mit Beethoven, Janáček und Schubert bot das Julia Fischer Quartett eine wahre „Sternstunde der Quartettkultur".

Eine strahlende Besetzung und die Premiere eines neuen Violinkonzertes boten an diesem Abend gleich zahlreiche Attraktionen.

Zum Auftakt von „Klassik am Odeonsplatz“ luden Julia Fischer und das Symphonieorchester des Bayerischen Rundfunks unter der Leitung von Pablo Heras-Casado zu einem Kurztrip nach Spanien ein

Es war eine reine Freude, das Spiel der Solisten bei ihrem raschen Figurenwerk mitzuverfolgen, zu sehen und zu hören, wie perfekt Solisten und Orchester zusammenspielten.

Julia Fischer ends her London Philharmonic Orchestra spring residency with Elgar's Violin Concerto and a chamber encore which sees Jurowski turn to the piano.

Julia Fischer's final concert in her series with LPO exploring Mozart's violin concertos tackled Nos 1 & 2, thoughtfully balanced with Tchaikovsky's gleaming Serenade for Strings.

Julia Fischer aborda brillantemente el injustamente poco interpretado Concierto de violín de Dvořák.

Vladimir Jurowski conducts Tchaikovsky, Britten and Scriabin viewed through Oliver Knussen's palette to open the London Philharmonic's 2019-20 season. 

Kirill Petrenko paid attention to details that many times get lost.

In the last week, the LPO has been on a journey through the seasons. Tonight, it was mists and mellow fruitfulness, courtesy of rarities by Respighi and Marx.

Soirée Tchaïkovski contrastée au Théâtre des Champs-Élysées: Temirkanov et l'Orchestre de Saint-Pétersbourg brillent dans une éclatante Symphonie n° 5, après un bien terne Concerto pour violon dans l'ombre de Julia Fischer.

Two young, widely championed string players – violinist/pianist Julia Fischer and cellist Daniel Müller-Schott – recently joined to perform an eclectic concert at the city’s stunning new concert hall.

While premiered only some 60 years apart, the Béla Bartók and Pyotr Ilyich Tchaikovsky works that Charles Dutoit recently conducted in the Zurich Tonhalle couldn’t have called up more disparate moods.

Berlin’s Konzerthaus Orchestra began its new season with works by two composers set against the artistic orthodoxies of their day.

There can be no better reason to see a concert of Beethoven than to be offered a fresh point of view; Julia Fischer and Igor Levit did just that.

Riccardo Muti presented a serene program of Beethoven's Violin Concerto, with Julia Fischer, and Brahms’ Serenade no. 1.

Violinist Julia Fischer and pianist Igor Levit performed all ten of Beethoven’s violin sonatas in a marathon at the Tonhalle that culminated in Sunday night’s “Kreutzer” and the “Tenth”. 

Elgar shines after a fresh performance of Tchaikovsky with Julia Fischer and the St Petersburg Philharmonic. 

Soirée contrastée ce jeudi soir, avec l’Academy of St Martin-in-the-Fields qui nous proposait le Concerto pour violon de Haydn,  le Concerto pour violon et piano en ré mineur de Mendelssohn et La Nuit transfigurée de Schönberg,  sous la direction de Julia Fischer.

Joyful Haydn and intense Schoenberg from Julia Fischer and the Academy of St Martin in the Fields, joined by Oliver Schnyder for some energetic Mendelssohn.

After 19 years, David Zinman took his leave from the post of music director of the Tonhalle Orchestra Zurich yesterday with an affectionate Proms programme of Strauss, Dvořák and Beethoven. 

Mendelssohn et Brahms par Julia Fischer et l'Orchestre Philharmonique de Radio France rendus ternes par l'habitude.

Julia Fischer and Daniel Müller-Schott demonstrate faultless command of Brahms' consumately crafted Double Concerto, which makes a telling contrast with Bruckner's wayward early Symphony no.2 in C minor in Jurowski's committed LPO performance.

Cleveland Orchestra, Franz Welser-Möst, and violinist Julia Fischer triumph in a weekend of Brahms, including the Tragic Overture, the Violin Concerto, and the Second Symphony.

In recent decades, the infatuation with youth and beauty has affected many industries including classical music. In fact, it seems that classical musicians must begin their studies practically while they are still breast-feeding in order to ensure any kind of career at all. Bright stars burn out quickly, however, and few Wunderkinder show signs of true artistry and sophistication.

Prom number 40 saw a Russian conductor at the helm of the London Philharmonic Orchestra, playing a selection of music from some of the great Russian composers of the last two centuries, all with very distinct styles. Rimsky Korsakov’s orchestration of Mussorgsky’s Night on a Bare Mountain began the concert and conjured up all the fantastical imagery the name promises.