Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Andrea Chénier

So viel wird selten geküsst! Michael Fabiano, Sonya Yoncheva und George Petean singen einen umwerfenden Andrea Chénier.

Die Münchner Inszenierung des Andrea Chénier überzeugt mir großen Bildern, großartiger Musik und einer herausragenden Anja Harteros.

Anna Netrebko übertrifft in einer ansonst blass bleibenden Vorstellung von Andrea Chénier alle Überwartungen.

Jonas Kaufmann und Anja Harteros verleihen den Gefühlen in Giordanos dramatischem Werk eine große Wahrhaftigkeit.

Anja Harteros strahlt in Umberto Giordanos Verismo-Oper mit Spitzenklängen und übertrumpft damit selbst Jonas Kaufmanns Comeback.

À l'Auditorium de Lyon, les troupes de l'Opéra ont proposé bien plus qu'une simple version de concert du drame vériste d'Umberto Giordano, avec une Anna Pirozzi bouleversante.

The Royal Opera orchestra, chorus and a large cast bring their A game to Sir Antonio Pappano's last run as music director.

Malgré l'absence du très attendu Jonas Kaufmann dans le rôle-titre, la production monégasque bénéficie d'une distribution de qualité, d'une direction musicale remarquable et d'une mise en scène efficace.

A successful concert performance of Umberto Giordano's verismo hit in Sydney, with a trio of international stars. 

The French-Sicilian tenor shines in Sir David's McVicar's pristine take on Umberto Giordano's slice of verismo. 

Un espectacular cartel de cantantes convierte a este Andrea Chénier en el acontecimiento de la temporada. 

The big season opener at La Scala offers few surprises in a traditional staging, although Yusif Eyvazov proved his worth in the title role. 

With superb singing from Harteros, Salsi and Kaufmann, this production makes a strong case for Andrea Chénier’s continued presence in the repertoire.

Cette nouvelle production munichoise d'Andréa Chénier donnée en version concert au TCE a su convaincre par sa juste distribution et par la grande qualité de l'ochestre et des choeurs du Bayerische Staatsoper qui l'accompagnait. Bien que laissant quelque sentiment de frustration du fait de l'absence de mise en scène, cette oeuvre peu programmée ces dernières années ne perd en rien de sa force réflexive

Andrea Chénier returns to San Francisco Opera after a long absence, in Sir David McVicar's realistic production. 

Despite some strong performances onstage and in the pit, the National Theater's Andrea Chénier never catches fire.

Opera North's Andrea Chénier at Leeds Grand Theatre directed by Annabel Arden is full of modern relevance and a fine start to the new season

In this production of Andrea Chénier, love, liberty, revolution and death are all ingredients to create strong emotions: with a final ovation for the conductor.

Andrea Chénier can seem more a series of scenes than a dramatic whole and it relies on exciting, charismatic luminaries to hold it together and keep the interest high. This revival of Nicolas Joël’s staging is a noble effort, but disappoints.

Love and death are the two basic ingredients of the standard opera plot, and the more tragedy involved from the first to the last, the more likely it is to spur composers to set it to magnificent music. Andrea Chénier is a textbook example of this although it is not anywhere near as popular as La traviata, Carmen or La bohème, and explicably so.

Yesterday I went to see a convoluted story about French revolutionaries, as belted out at top volume to serviceable but hardly creative ballads. No, I didn’t go to the Les misérables movie. I went to see Roberto Alagna in Opera Orchestra of New York’s concert presentation of Umberto Giordano’s Andrea Chénier.