Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | The Sleeping Beauty

Martin Schläpfers Choreographie bietet manchen aufregenden Moment, ist aber weitgehend im der Vergangenheit verwurzelt.

If the famous fairy variations in the Prologue can sometimes expose weaknesses, NYCB proved that it excels in pure classical ballet and not only in the neo-classical repertory.

Throughout the entire cast, every named role was performed with the mix of enthusiasm, affection and assuredness.

Deux ans après son époustouflant Sonoma, Marcos Morau revient avec La Belle au bois dormant, une interprétation singulière du conte, dansée par le Ballet de l’Opéra de Lyon.

Forget tutus and pointework. Sir Matthew Bourne is a great storyteller and his Sleeping Beauty is packed with a punchy narrative... and a vampiric twist. 

The first Fracci Gala at the Teatro alla Scala celebrates the memory and the stature of a child of the house, who not always considered so in life. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

A complete roster of principal dancers appear in a gala full of the joys of spring. 

Manuel Legris, whom Nureyev appointed étoile in Paris in 1986, presents an evening of Nureyev choreographies in Milan. 

In the National Ballet of Japan's Sleeping Beauty, the fulfilment and joy of being able to dance was apparent in the whole company and the result was glorious. 

La rentrée sous contraintes du Ballet de l'Opéra de Paris met en avant les chorégraphies difficiles et géniales de Rudolf Noureev, généralement très bien menées par les danseurs de la compagnie.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

An evening of sparkle and bravura at London's international ballet gala. 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

On the evidence of this performance, there is every reason to be cheerful.

If the audience response was not very enthusiastic, it's because Ratmansky's Sleeping Beauty four years after its premiere still comes across as more of a museum piece than a living, breathing ballet. This is a Beauty that never really wakes up.

A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 

A dutiful revival of Sir Kenneth MacMillan’s Sleeping Beauty from English National Ballet.

In keeping this production of The Sleeping Beauty in the repertoire, Boston Ballet is providing a vital service to the history of classical ballet, developing its dancers to their fullest potential, and providing Boston audiences with a chance to enter into a magical world of the most exquisite beauty.

Sir Peter Wright's version of The Sleeping Beauty has stood the test of time, though this opening night of the tour in Southampton didn't always convince that the work has a place of adoration in the company’s heart.

Watching this ballet, one is offered a glimpse of a past world and aesthetic, beautifully preserved.

It’s alright, sometimes, for a classic to own the fact that it is a cliché. The Pennsylvania Ballet’s performance of The Sleeping Beauty, directed by Angel Corella was a lovely, lush but unsurprising presentation

Moscow City Ballet whisks Edinburgh into the dreamlike fairy tale of Tchaikovsky’s ballet Sleeping Beauty for a magical evening that enchants throughout, from Once Upon a Time to Happily Ever After.

A return of the company's signature work found The Royal Ballet fielding an excellent cast led by Sarah Lamb and Vadim Muntagirov. 

L’American Ballet Theatre inaugure la saison 2016/2017 de l’Opéra de Paris en proposant une nouvelle version de La Belle au Bois Dormant signée en 2015 par Alexei Ratmansky souhaitant restaurer l’esthétique de la chorégraphie de Marius Petipa de 1890.

A great deal is going to be written about Cassandra Trenary in the coming years and people will spend a lot of time trying to analyze what it is that makes her special but it will all come back to one simple thing: there’s something in the way she moves.

International Ballet stars come together on stage in London to honour the late legendary Russian ballet dancer Maya Plisetskaya.

All praise for Ratmansky's Sleeping Beauty, its old graces newly restored. 

Matthew Bourne's exhilarating, witty reimagining of the Russian classic Sleeping Beauty returns to London. Ashley Shaw makes a radiant Aurora.

Prokofiev's Cinderella shall go to the ball: under Vasily Petrenko's scrupulously magic wand this ballet masterpiece dazzled in a fairy-tale programme of original stage works.

... con Carabosse, Duato intenta un giro en su creación, colorea los tonos pálidos e intenta renovar y renovarse

Washington Ballet's junior company crosses the river to bring ballet into the wider community, with a Sleeping Beauty performance.

Singapore Dance Theatre shows promise in this run of The Sleeping Beauty. 

National Ballet of Japan created a new version of Sleeping Beauty reimagined by Wayne Eagling. Vadim Muntagirov of Royal Ballet guested, and Yui Yonezawa was Aurora.

Stars from the Royal Ballet and Birmingham Royal Ballet perform excerpts of 15 works in Tokyo, showcasing British ballet's rich and exciting repertoire

American Ballet Theatre’s second program of their tour is the All Star Gala, not just a star-studded pas de deux evening but with two brilliant works, Balanchine's Theme and Variations and Ratmansky's Piano Concerto no. 1.

The Scottish Concert Orchestra and Russian State Ballet of Siberia keep the Christmas spirit alive with Music and Dance at the Ballet at the Glasgow Royal Concert Hall.

Lambrecht Wessels reviews Dutch National Ballet's Sleeping Beauty at Het Muziektheater, Amsterdam. 

Frederick Ashton used to say it was like a lesson in choreography every time he watched The Sleeping Beauty. For Kenneth MacMillan too, the ballet was the pinnacle of classicism and technique and a great test of any company’s skills.

What do heroin, fish soup, and fairy godmothers have in common? They are all ingredients in choreographer Mats Ek’s reinvention of the ballet Sleeping Beauty, currently being performed through the end of October with Les Grands Ballet Canadiens de Montréal.Though the Sleeping Beauty we know today exists in many versions, the scenario is rarely changed significantly.

At the opening night of Kenneth MacMillan’s production of The Sleeping Beauty in London, all eyes were on English National Ballet’s new artistic director, up on stage – rather than in the audience. Would she still be able to hold her balances on pointe now that she is also required to balance the office books?The answer is a resounding yes.

You know it’s going to be different the moment the recorded music begins and words appear on the frontispiece setting the story. Among the recognised musical strains can be heard the cry of a baby, and it is this baby who revolutionises Matthew Bourne’s new vision of the iconic Russian classical ballet masterpiece Sleeping Beauty.

And so to the second part of Peter Schaufuss’ Tchaikovsky Trilogy of the three great Russian classical ballets. In Sleeping Beauty, re-titled A Sensual Dream, the complicated weaving of the choreographer’s vision in connecting all three ballets together begins to make a little more sense – at least to those who had viewed his Swan Lake.

It would be hard to find someone who has not heard of Anna Pavlova. The name alone conjures up words such as elegant, visionary, iconic. Her acclaim results from a career in ballet spanning over 30 years, in which she had a tremendous influence over the world of classical dance and earned her place as one of the finest Russian ballerinas in history.