Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Schwanengesang (Rellstab, Heine, Seidl), D.957

Konstantin Krimmel und Malcolm Martineau begeisterten beim umjubelten Liederabend im ausverkauften Münchner Cuvilliéstheater.

Andreas Bauer Kanabas und Daniel Heide präsentieren Schuberts letzte Liedersammlung an der Oper Frankfurt.

Der Bass Andreas Bauer Kanabas und Pianist Daniel Heide gastieren mit Schuberts Schwanengesang in der Villa Wahnfried.

Szenisch inzeniert von Dorian Dreher boten Philipp Vandré (Klavier) und Thomas Berau (Gesang) ausdrucksstark Schuberts Liederzyklus Schwanengesang, inhaltlich verwoben mit dem Film Blow Up, dar.

Matthias Goerne y Alexander Schmalcz dieron forma y unidad emocional al conjunto de canciones de Franz Schubert que llevan por título Schwanengesang de manera brillante.

A traversal at The 92nd Street Y, New York, shaped by nuance, insight and a rare shared intuition. 

Sur des œuvres de Schubert et Stravinsky interprétées en live, la troupe australienne Circa incarne une humanité en souffrance mais solidaire dans un spectacle plein de beauté et très actuel.

Excepcional recital de Konstantin Krimmel acompañado al piano por Daniel Heide en el Festival de Granada.

In New York's Park Avenue Armory, Claus Guth imagines Schubert's final song collection set in a military hospital, Jonas Kaufmann as one of its soldiers with a story to tell. 

Stéphane Degout et Cédric Tiberghien proposaient aux Bouffes du Nord un riche programme, mêlant mélodie et lied pour une soirée riche en contrastes. 

El barítono Luca Pisaroni acompañado por Maciej Pikulski debutan en el Ciclo de Lied del Teatro de la Zarzuela, con un programa paradigmático que incluía obras de Schubert, Beethoven y Mendelssohn.

Ian Bostridge and Lars Vogt bring their recital tour to Sage Gateshead, where they bring bold physicality to their interpretations of songs by Schubert and Beethoven. 

On est frappé par la complicité entre Thomas Bauer et Jos Van Immerseel, qui livrent avec un engagement sans faille un somptueux carnet de voyage au pays du lied schubertien.

Guy Johnston and friends in a varied programme of works and arrangements for 12 cellos, joined by soprano Golda Schultz in tender and spirited Villa-Lobos.

Not quite a song cycle and not quite a song recital, but the words and music format triumphed in the end at the Sam Wanamaker Playhouse.

It is an extraordinary feat to take on Schubert’s Winterreise, Die Schöne Müllerin and Schwanengesang in three concerts over only five days, and performing them in Vienna’s Musikverein certainly does nothing to relieve the pressure.

A small audience had the honour of two big names on stage and enthusiasts of Schubert would agree that there were no two bigger names to have performed the evening's programme than Paul Lewis and Mark Padmore. They gave an intimate chamber performance of songs by Beethoven and Schubert, received with calls of “Bravo!” and whistles.