Thought-provoking, violent and percussive

Von Nick Boston, 17 Dezember 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Wigmore Hall, London, am 16 Dezember 2014

Beethoven, Klviersonate Nr. 22 in F-Dur, Op.54

Beethoven, Klaviersonate Nr. 23 in f-Moll "Appassionata", Op.57

Mantovani, Le livre de Jeb

Ravel, Miroirs

Bartók, Klaviersonate, Sz80

Pierné, Étude de Concert, Op.13

Jean-Efflam Bavouzet, Klavier

Spannung im Überfluss bei Lutosławskis Dritter mit dem RFO

Michael Klier, 20th January

Mitreißender Spannungsbogen bei Lutosławskis Dritter Symphonie mit dem Radio Filharmonisch Orkest unter Edward Gardner und auch Jean-Efflam Bavouzet glänzte in Bartóks Erstem Klavierkonzert.

****1

Dreifacher Zauber?

Rolf Kyburz, 21st February

Eine "klassische", auf Klarheit und Transparenz bedachte Interpretation, mindestens ebenbürtig zu denen bekannter Spitzenorchester, in manchen Aspekten sogar überlegen: wo sonst bekommt man Rachmaninow in dieser Klarheit geboten?

****1

Jean-Efflam Bavouzet plays Ravel’s complete piano works

Edward Sava-Segal, 18th November

A coherent, finely balanced traversal in Alice Tully Hall is shaped by clarity, restraint and expressive poise.

*****

Mixed results from Dalia Stasevska's trio of 20th-century works

David Truslove, 12th March

Seldom heard and standard repertoire bring mixed results from Dalia Stasevska, the BBC Symphony Orchestra and BBC Symphony Chorus.

***11

Bavouzet’s Manchester Mozart cycle reaches its epic peak

Leighton Jones, 20th September

All good things must come to end, but Manchester Camerata's Mozart piano concerto cycle did so in exceptional style in Stoller Hall.

*****

Albéric Magnard steals the show in all-French recital at Wigmore Hall

Nick Boston, 15th November

How many of Albéric Magnard's 22 works do you know? Jean-Efflam Bavouzet and the Orsino Ensemble perform his Quintet in D minor to Wigmore Hall and it becomes the sixth star of the evening.

*****

Weitere Kritiken...

Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Thought-provoking, violent and percussive: Bavouzet's Bartók, Ravel and Beethoven