NYCB: Balanchine + Ratmansky program warms the audience

Sara Mearns with the Company in George Balanchine's Serenade

Emilie Gerrity and Sara Mearns in George Balanchine's Serenade

Miriam Miller with the Company in George Balanchine's Prodigal Son

Anthony Huxley with the Company in George Balanchine's Prodigal Son

Chun Wai Chan in Alexei Ratmansky's Paquita

Mira Nadon in Alexei Ratmansky's Paquita

Von Ivy Lin, 22 Januar 2026

Laden, bitte warten...

Veranstaltung anzeigen

“the curtain rises on the 17 corps members and the audience is always under a spell”

Rezensierte Veranstaltung: Lincoln Center: David H Koch Theater, New York City, am 20 Januar 2026

Serenade (George Balanchine)

The Prodigal Son (George Balanchine)

Paquita (Marius Petipa, Alexei Ratmansky)

New York City Ballet

Barbara Karinska, Kostüme

Mark Stanley, Licht

New York City Ballet Orchestra

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

****1

Bachmann, Mahler, Goecke: Tanztraumpremiere am Wiener Staatsballett

Michael Klier, 14th November

Die vier Tänzerinnen und sieben Tänzer zittern, ihre Arme, Schultern und Hände kratzen, flattern und schluchzen in oft eckigem Gestus und doch sind alle Bewegungen im Fluss.

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Spitzengefühl und neoklassischer Ansatz

Katja Vaghi, 4th May

Die neue Premiere des Staatsballetts spannt einen Bogen über die neuere Tanzgeschichte des 20. und 21. Jahrhunderts.

****1

Royal Ballet School, School of American Ballet: the future is bright

Amanda Jennings, 18th June

An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.

*****

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Carla Escoda, 13th May

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

*****

Weitere Kritiken...

Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

New York City Ballet: Balanchine + Ratmansky program warms the audience