Opulent Turin Macbeth arrives at EIF

Von David Smythe, 20 August 2017

Laden, bitte warten...

Veranstaltung anzeigen

“Noseda drew thrilling playing from the orchestra”

Rezensierte Veranstaltung: Edinburgh Festival Theatre, Edinburgh, am 18 August 2017

Verdi, Macbeth

Teatro Regio di Torino

Gianandrea Noseda, Musikalische Leitung

Emma Dante, Regie

Carmine Maringola, Bühnenbild

Vanessa Sannino, Kostüme

Dalibor Jenis, Macbeth

Anna Pirozzi, Lady Macbeth

Marko Mimica, Banquo

Piero Pretti, Macduff

Alexandra Zabala, Dame der Lady Macbeth

Coro del Teatro Regio di Torino

Orchestra del Teatro Regio di Torino

Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Isabella Steppan, 22nd April

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

**111

Riccardo Muti triumphs with Un ballo in maschera in Turin

Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti.

***11

The Pearl Fishers: Turin opens its operatic season

Renato Verga, 3rd October

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

**111

The first modern staged performance of Paër’s Agnese in Turin

Laura Servidei, 17th March

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

***11

In Turin's Trovatore, the women carry the day

Renato Verga, 10th October

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

***11

A strong Italian cast for Così fan tutte in Turin

Laura Servidei, 1st July

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

****1

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David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.

Opulent Turin Macbeth arrives at Edinburgh International Festival