Lisbeth Gruwez and Nicolas vladyslav zoom in on what fear does to the body. An intense performance that goes further than just a demonstration of tight muscles and stress.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-02-21UTC16:46:27+00:002017-02-13Lisbeth Gruwez and Nicolas vladyslav zoom in on what fear does to the body. An intense performance that goes further than just a demonstration of tight muscles and stress.Disrupting dance in We're pretty fuckin' far from okayen_GBtruehttps://bachtrack.com/review-lisbeth-gruwez-were-pretty-fuckin-far-from-okay-brussels-dance-festival-koninklijke-vlaamse-schouwburg-february-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngIsabella Zijphttps://bachtrack.com/22/270/list-published/15786https://bachtrack.com/22/270/list-published/15786https://bachtrack.com/files/80588-isabella-zijp---copy.jpgIsabella Zijp is a freelance dance writer and critic writing regularly for Bachtrack and other dance platforms. She shares her passion for ballet through writing, giving guided tours and conducting short presentations. In daily life she works as an editor and online marketeer while also writing about her other passion: travelling.https://bachtrack.com/files/53157-we-repretty--luc-depreitere-official6-1-.jpg510350Luc Depreitere Official2017-Feb-09, KVS: We’re pretty fuckin’ far from okayhttps://bachtrack.com/dance-listing/kvs/were-pretty-fuckin-far-from-okay/09-february-2017/20-002017-02-092017-02-10KVSBrusselsBrussels CapitalBelgium1000rue de Laeken 14650.85548764.3521005000000063
Laurent Pelly exploits the satirical side of Rimsky-Korsakov's The Golden Cockerel at La Monnaie in a darkly humorous but colourfully performed production.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-12-14UTC10:10:31+00:002016-12-14Laurent Pelly exploits the satirical side of Rimsky-Korsakov's The Golden Cockerel at La Monnaie in a darkly humorous but colourfully performed production.Black gold: Rimsky-Korsakov's Golden Cockerel in Brusselsen_GBtruehttps://bachtrack.com/review-golden-cockerel-pelly-hunka-gimadieva-monnaie-brussels-december-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Ryehttps://bachtrack.com/22/270/list-published/19100https://bachtrack.com/22/270/list-published/19100https://bachtrack.com/files/24809-matthew_rye.jpgMatthew read music at Oxford and has worked in music journalism for 30 years as a writer, critic and editor. He has written numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad, for which he continues to write. He also writes for The Wagner Journal and Opera Now and blogs at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and is the author of a new series of eBooks, Masterpieces of Music (Erudition).https://bachtrack.com/files/50261-the-golden-cockerel-3-p--hunka--tzar-dodon--baus-munt-monnaie-resized.jpg510340Pavlo Hunka (Tsar Dodon) and Sarah Demarthe (Cockerel)Matthias Baus | La Monnaie2016-Dec-13, Palais de la Monnaie: The Golden Cockerelhttps://bachtrack.com/opera-listing/palais-de-la-monnaie/the-golden-cockerel/13-december-2016/20-002016-12-132016-12-30Palais de la MonnaieBrusselsBrussels CapitalBelgium1000 Brussels86 C, avenue du Port – 1000 Brussels50.86489094.3489766000000145http://new.lamonnaie.be/en/program/10-the-golden-cockerel?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-11-11UTC13:26:50+00:002016-11-11Strauss' 'conversation piece' of an opera is given a warmly sympathetic production with the musical rewards coming as much from the pit as the stage.Prima la musica: an intriguing Capriccio in Brusselsen_GBtruehttps://bachtrack.com/review-capriccio-marton-matthews-monnaie-brussels-november-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Ryehttps://bachtrack.com/22/270/list-published/19100https://bachtrack.com/22/270/list-published/19100https://bachtrack.com/files/24809-matthew_rye.jpgMatthew read music at Oxford and has worked in music journalism for 30 years as a writer, critic and editor. He has written numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad, for which he continues to write. He also writes for The Wagner Journal and Opera Now and blogs at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and is the author of a new series of eBooks, Masterpieces of Music (Erudition).https://bachtrack.com/files/48749-capriccio-l--vasar--olivier---e-montvidas--flamand---k-sigmundsson--la-roche---c--hellekant--clairon---oldenburg--haushofmeister---sally-matthews--grafin---henschel-resized.jpg510340Charlotte Hellekant (Clairon) and Sally Matthews (Countess)Bernd Uhlig2016-Nov-03, Palais de la Monnaie: Capricciohttps://bachtrack.com/opera-listing/palais-de-la-monnaie/capriccio/03-november-2016/20-002016-11-032016-11-16Palais de la MonnaieBrusselsBrussels CapitalBelgium1000 Brussels86 C, avenue du Port – 1000 Brussels50.86489094.3489766000000145http://new.lamonnaie.be/en/program/9-capriccio?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg4
An opera that pokes fun at opera seria? An opera that features backstage preparations for a show, followed by an opera within an opera? No, it’s not Strauss' Ariadne auf Naxos.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-02-16UTC09:29:34+00:002016-02-15An opera that pokes fun at opera seria? An opera that features backstage preparations for a show, followed by an opera within an opera? No, it’s not Strauss' Ariadne auf Naxos. Gassmann's comedy L'Opera Seria gets a new production in Brusselsen_GBtruehttps://bachtrack.com/review-gassmann-opera-seria-monnaie-belgium-february-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngNahoko Gotohhttps://bachtrack.com/22/270/list-published/60https://bachtrack.com/22/270/list-published/60https://bachtrack.com/files/121-nahoko.jpgNahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.https://bachtrack.com/files/34569-opera_seria_alex_penda_robin_johannsen_clarchen_matthias_baus_resized.jpg510340Alex Penda (Stonatrilla) and Robin Johannsen (Smorfiosa)Clärchen & Matthias Baus2016-Feb-09, Cirque Royal: L'Opera Seriahttps://bachtrack.com/opera-listing/cirque-royal/lopera-seria/09-february-2016/19-302016-02-092016-02-16Cirque RoyalBrusselsBrussels CapitalBelgium100081, rue de l’Enseignement50.84905564.36569854
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-01-29UTC16:58:37+00:002016-01-28Full of melodic treasures hidden for ages, Anton Rubinstein's The Demon answers the most demanding expectations.Melodical treasures and romantic pathos of Rubinstein's The Demonen_GBtruehttps://bachtrack.com/review-anton-rubenstein-the-demon-bozar-jan-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngOlga de Korthttps://bachtrack.com/files/33620-veronika_dzhioeva_a_bolkvadze_resized.jpg510339Veronika DzhioevaA Bolkvadze2016-Jan-21, BOZAR: Hall M: The Demonhttps://bachtrack.com/opera-listing/bozar-hall-m/the-demon/21-january-2016/19-302016-01-212016-01-24Palais des Beaux-Arts (BOZAR): Hall MBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.35935824
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-18UTC16:44:53+00:002015-10-18Despite its failings, La Monnaie turn Gaspare Spontini's 1805 La vestale into a fascinating evening's opera.Classical French drama: fine singing and acting in Spontini's La vestaleen_GBtruehttps://bachtrack.com/review-la-vestale-la-monnaie-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/29594-_23m1791press.jpg620385Alexandra Deshorties (Julia), Jean Teitgen (Le Souverain Pontife)Clärchen und Matthias Baus2015-Oct-13, Cirque Royal: La vestalehttps://bachtrack.com/listing-la-vestale-la-monnaie-october-20152015-10-132015-10-25Cirque RoyalBrusselsBrussels CapitalBelgium100081, rue de l’Enseignement50.84905564.36569854
The world première of Giya Kancheli’s Nu.Mu.Zu is the blow-your-socks-off highlight of an evening that includes colourful playing of Falla and Strauss.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-17UTC09:17:49+00:002015-10-17The world première of Giya Kancheli’s Nu.Mu.Zu is the blow-your-socks-off highlight of an evening that includes colourful playing of Falla and Strauss.Giya Kancheli's world première outshines Strauss and Falla at BOZARen_GBtruehttps://bachtrack.com/review-national-orchestra-of-belgium-boreyko-maisky-kancheli-bozar-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/29577-mischa_maisky_andrey_boreyko_alison_karlin.jpg300400Alison Karlin2015-Oct-16, BOZAR: Main hall: De Falla, Kancheli, Strausshttps://bachtrack.com/listing-national-orchestra-of-belgium-boreyko-maisky-kancheli-bozar-october-20152015-10-162015-10-18Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert HallBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.359358199999974http://www.bozar.be/en/activities/5654-national-orchestra-of-belgium?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/26618-nob_logo.jpg4
Sometimes catching a performance with its second cast can be as revealing as attending a first night, and that was the case with this production of Rigoletto by the Canadian director Robert Carsen at La Monnaie in Brussels.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-06-02UTC10:39:06+00:002014-05-28Sometimes catching a performance with its second cast can be as revealing as attending a first night, and that was the case with this production of Rigoletto by the Canadian director Robert Carsen at La Monnaie in Brussels.Off with the motley: Rigoletto at La Monnaieen_GBtruehttps://bachtrack.com/review-rigoletto-carsen-monnaie-may-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSimon Reeshttps://bachtrack.com/files/5489-rigoletto_platanias_bernd_uhlig.jpg510340Dimitri Platanias (Rigoletto)Bernd Uhlig2014-May-08, La Monnaie | De Munt: Grand Hall: Rigolettohttps://bachtrack.com/listing-rigoletto-carsen-monnaie-may-20142014-05-082014-05-23La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.3541157245635993
It can be a strange experience to listen to Rachmaninov’s Piano Concerto no. 2 without the visuals of Celia Johnson’s doe-eyed sadness and Trevor Howard’s tortured half-smile to go with it, so synonymous is the work with Brief Encounter, Noël Coward’s celebrated paean to 1940s English morality and thwarted love.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:46:25+00:002013-06-24Alice Hughes reviews Nikolai Lugansky and the National Orchestra of Belgium playing Rachmaninov's 2nd Piano Concerto at BOZAR, BrusselsNikolai Lugansky breathes new life into Rachmaninov 2 at BOZARen_GBtruehttps://bachtrack.com/review-brussels-bozar-nob-lugansky-rach-2Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAlice Hugheshttps://bachtrack.com/files/2767-nikolai_lugansky_high_res_1___credit_marco_borggreve_naive_ambroisie.jpg400400Nikolai Lugansky Marco Borggreve / Naïve-Ambroisie2013-Jun-20, BOZAR: Main hall: National Orchestra of Belgiumhttps://bachtrack.com/listing-brussels-bozar-nob-lugansky-rach-22013-06-202013-06-20Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert HallBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.359358199999974http://www.bozar.be/activity.php?utm_medium=display&utm_source=bachtrack.com&id=11970&selectiondate=2013-06-01https://bachtrack.com/files/11574-12_10_andrey_boreyko___wim_van_eesbeeck.jpg5
Few venues do “faded grandeur” better than the Royal Conservatoire of Brussels. The auditorium of Belgium’s premier music college is a venerable grande dame of a concert hall – all off-white paint peeling from cracked walls and heavy red velvet curtains coated with dust – making it an elegant and alluring place in which to while away an evening, its imperfections lending a certain sepia-
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:45:05+00:002013-05-28Alice Hughes reviews Jos van Immerseel playing Schubert at the Conservatoire Royal de BruxellesJos van Immerseel plays Schubert at the Royal Conservatoire of Brusselsen_GBtruehttps://bachtrack.com/22/296/view/2895Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAlice Hugheshttps://bachtrack.com/files/2679-jos_van_immerseel.jpg400400Jos van Immerseel Alex Vanhee2013-May-24, Conservatoire Royal de Bruxelles: Jos van Immerseelhttps://bachtrack.com/concert-listing/conservatoire-royal-de-bruxelles/jos-van-immerseel/24-may-2013/20-002013-05-242013-05-24Conservatoire Royal de BruxellesBrusselsBrussels CapitalBelgium1000Rue de la Régence 3050.83942464.3555038http://be.sitestat.com/bozar/bozar/s?utm_medium=display&utm_source=bachtrack.com&activitypageclic.en.ticketlink.music.Jos_van_Immerseel=&ns_type=clickout&ns_url=http://bz.clic-com.be/main.aspx?sPageToGo=Event&iEventId=11264&iCultureId=2057https://bachtrack.com/files/11834-image_1.jpg3
Most musicians with an arresting stage presence tend to command attention with an awe-inspiring magnetism. There are, however, a handful who possess a rare ability to mesmerize an audience just as much with a calm and phlegmatic demeanour.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:45:01+00:002013-05-28Alice Hughes reviews Rolf Lislevand playing the theorbo and Baroque guitar at Brussels' Protestant ChapelRolf Lislevand delivers an evening of uplifting early Baroque music at Brussels' Protestant Chapelen_GBtruehttps://bachtrack.com/review-brussels-rolf-lislevandBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAlice Hugheshttps://bachtrack.com/files/2671-rolf_lislevand.jpg400400Rolf Lislevand Francesca Pfeffer2013-May-23, Protestant Chapel: Rolf Lislevandhttps://bachtrack.com/listing-brussels-rolf-lislevand2013-05-232013-05-23Protestant ChapelBrusselsBrussels CapitalBelgium1000Place du Musée - Museumplein50.84221214.3586101http://be.sitestat.com/bozar/bozar/s?utm_medium=display&utm_source=bachtrack.com&activitypageclic.en.ticketlink.music.Rolf_Lislevand=&ns_type=clickout&ns_url=http://bz.clic-com.be/main.aspx?sPageToGo=Event&iEventId=11205&iCultureId=2057https://bachtrack.com/files/11833-prev_12149_img1.jpg4
Brussels’ Palais des Beaux-Arts occupies the site where once stood the Pensionnat Héger, the school where Charlotte and Emily Brontë lived during their sojourn in the Belgian capital – an appropriate setting, as it is not difficult to imagine Bruckner’s mighty Fourth Symphony underscoring one of the sisters’ Gothic tales of unrequited love.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:43:14+00:002013-04-24Alice Hughes reviews the National Orchestra of Belgium playing Mozart's Bassoon Concerto and Bruckner's Fourth Symphony.Brussels does Vienna: The National Orchestra of Belgium take on Mozart and the mighty Bruckner 4en_GBtruehttps://bachtrack.com/review-national-orchestra-belgium-weller-bruckner-4Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAlice Hugheshttps://bachtrack.com/files/2544-_wim4399___compressed.jpg400400National Orchestra of Belgium2013-Apr-21, BOZAR: Main hall: Orchestre National de Belgiquehttps://bachtrack.com/listing-national-orchestra-belgium-weller-bruckner-42013-04-212013-04-21Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert HallBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.3593581999999744
In Pierre Audi’s new production of Handel’s Orlando, currently running at La Monnaie in Brussels (until 12 May, and thereafter available free online on their website for three weeks), the knight Orlando is portrayed as a modern-day fireman who in his fascination with fire has become an arsonist – “pyromane” as Audi explains in the programme.
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:26:22+00:002012-05-08Nahoko Gotoh reviews Handel's Orlando at La Monnaie in Brussels.Bejun Mehta gives commanding performance as Orlando at La Monnaieen_GBtruehttps://bachtrack.com/review-orlando-la-monnaieBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngNahoko Gotohhttps://bachtrack.com/22/270/list-published/60https://bachtrack.com/22/270/list-published/60https://bachtrack.com/files/121-nahoko.jpgNahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.https://bachtrack.com/files/1306-orlando2.jpg400400Begun Mehta as Orlando Bernd Uhlig2012-Apr-19, La Monnaie | De Munt: Grand Hall: Orlandohttps://bachtrack.com/listing-orlando-la-monnaie2012-04-192012-05-11La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.354115724563599http://www.lamonnaie.be/en/opera/153/Orlando?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/10527-orlando.jpg3
Hell hath no fury like a woman scorned. Scorned womanhood has no better archetype than Euripides's Medea. And you're unlikely to see a more powerful or affecting Medea than Nadja Michael's performance in Cherubini's opera Médée, in the first production of the new season at La Monnaie in Brussels (De Munt, if you're a Flemish speaker.)Like all good Greek tragedy, we all know the story.
2011Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:20:13+00:002011-09-18Rousset and Les Talens Lyriques light up a powerful Médéeen_GBtruehttps://bachtrack.com/review-medee-la-monnaieBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/730-medee_vanden_abeele_2008.jpg400400 Vanden Abeele2011-Sep-17, La Monnaie | De Munt: Grand Hall: Luigi Cherubini, Médéehttps://bachtrack.com/listing-medee-la-monnaie2011-09-172011-09-17La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.3541157245635995
The poetry of Arthur Rimbaud was, to borrow a phrase from the 1960s, "way out there." His 1870s collection Les Illuminations inspired Benjamin Britten, who set a selection of the poems to music: the words are surreal, bizarre, sometimes erotic, always onomatopoeic and packed with interesting sounds.
2011Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:20:10+00:002011-09-17Bostridge brings Britten to Brusselsen_GBtruehttps://bachtrack.com/review-bostridge-norrington-bozar-brusselsBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/726-mco_2011_credit_deniz_saylan_1.jpg400400 Deniz Saylan2011-Sep-16, BOZAR: Main hall: Mahler Chamber Orchestrahttps://bachtrack.com/listing-bostridge-norrington-bozar-brussels2011-09-162011-09-16Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert HallBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.3593581999999744
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-03-08UTC14:48:14+00:002018-03-08Sérieuse et sans condescendance, profitant d'un plateau vocal de premier plan, la mise en scène de Damiano Michieletto séduit le public bruxellois.Cavalleria rusticana et Pagliacci à La Monnaie : une réussite musicale et théâtralefr_FRtruehttps://bachtrack.com/critique-cavalleria-rusticana-pagliacci-michieletto-pido-westbroek-ilincai-ventre-hendricks-la-monnaie-bruxelles-mars-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/78205-cavalleria-rusticana.jpg510340Cavalleria rusticanaLa Monnaie2018-Mar-06, La Monnaie | De Munt: Grand Hall: Cavalleria rusticana; Pagliaccihttps://bachtrack.com/opera-listing/la-monnaie-de-munt-grand-hall/cavalleria-rusticana-pagliacci/06-march-2018/19-302018-03-062018-03-22La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.354115724563599https://www.lamonnaie.be/en/program/427-cavalleria-rusticana-pagliacci?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg5
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-03-05UTC15:53:21+00:002018-03-05BOZAR, Bruxelles. Ray Chen excelle dans le Concerto de Tchaikovsky. La Première symphonie de Brahms en revanche se décevante.Ray Chen ou comment ne pas se prendre au sérieuxfr_FRtruehttps://bachtrack.com/critique-schonwandt-chen-national-orchestra-of-belgium-bozar-bruxelles-mars-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/77870-ray-chen-credit-julian-hargreaves5.jpg300450Ray ChenJulian Hargreaves2018-Mar-02, BOZAR: Main hall: Tchaikovsky, Brahmshttps://bachtrack.com/concert-listing/bozar-main-hall/tchaikovsky-brahms/02-march-2018/20-002018-03-022018-03-04Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert HallBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.359358199999974https://www.nationalorchestra.be/fr/calendrier/michael-schonwandt-ray-chen?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/26618-nob_logo.jpg3
L’affiche regroupe dans un diptyque inattendu Il Prigioniero de Luigi Dallapiccola et Das Gehege (L’Enclos) de Rihm. Deux opéras qui posent les bonnes questions.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-01-19UTC15:58:04+00:002018-01-18L’affiche regroupe dans un diptyque inattendu Il Prigioniero de Luigi Dallapiccola et Das Gehege (L’Enclos) de Rihm. Deux opéras qui posent les bonnes questions.Saisissant diptyque carcéral à La Monnaiefr_FRtruehttps://bachtrack.com/critique-il-prigioniero-das-gehege-nigl-graham-hall-blancas-gulin-theatre-de-la-monnaie-bruxelles-janvier-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/74678-myimage.jpg510340Angeles Blancas Gulín (La Femme, Das Gehege)B.Ulhig | La Monnaie2018-Jan-16, La Monnaie | De Munt: Grand Hall: Il Prigionierohttps://bachtrack.com/opera-listing/la-monnaie-de-munt-grand-hall/il-prigioniero/16-january-2018/20-002018-01-162018-01-27La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.354115724563599https://www.lamonnaie.be/en/program/428-il-prigioniero-das-gehege?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg4
Que ce soit pour sa mise en scène, sa distribution ou sa direction musicale, cette production des Dialogues de Carmélites au Théâtre de la Monnaie est un franc succès.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-12-12UTC10:21:40+00:002017-12-11Que ce soit pour sa mise en scène, sa distribution ou sa direction musicale, cette production des Dialogues de Carmélites au Théâtre de la Monnaie est un franc succès. Saisissants Dialogues des Carmélites au Théâtre de la Monnaiefr_FRtruehttps://bachtrack.com/critique-dialogues-des-carmelites-py-altinoglu-gillet-barbeyrac-henry-deshayes-van-kerckhove-theatre-de-la-monnaie-bruxelles-decembre-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/72918-dialogues-hendricke-van-kerkhove--soeur-constance---marie-adeline-henry--madame-lidoine----angelique-noldus--soeur-mathilde---mireille-capelle--mere-jeanne---dames-du-choeur-baus.jpg510340Baus2017-Dec-08, La Monnaie | De Munt: Grand Hall: Dialogues des Carméliteshttps://bachtrack.com/opera-listing/la-monnaie-de-munt-grand-hall/dialogues-des-carmelites/08-december-2017/19-002017-12-082017-12-23La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.354115724563599https://www.lamonnaie.be/en/program/426-dialogues-des-carmelites?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg4
Félicitons Peter de Caluwe d’avoir pris le risque de mettre Lucio Silla, cet opéra écrit en 1772 par un Mozart adolescent de 16 ans à peine, au programme de cette saison de la toujours aventureuse maison bruxelloise.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-11-02UTC09:40:32+00:002017-10-31Félicitons Peter de Caluwe d’avoir pris le risque de mettre Lucio Silla, cet opéra écrit en 1772 par un Mozart adolescent de 16 ans à peine, au programme de cette saison de la toujours aventureuse maison bruxelloise.Lucio Silla au Théâtre de la Monnaie, plus d’actualité que jamais ?fr_FRtruehttps://bachtrack.com/lucio-silla-manacorda-kratzer-ruiten-ovenden-theatre-de-la-monnaie-bruxelles-octobre-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/70612-lucio-silla-jeremy-ovenden--silla--simona-saturova--cinna---ilse-eerens--celia---buhlig.jpg510340Buhlig2017-Oct-29, La Monnaie | De Munt: Grand Hall: Lucio Sillahttps://bachtrack.com/opera-listing/la-monnaie-de-munt-grand-hall/lucio-silla/29-october-2017/15-002017-10-292017-11-15La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.354115724563599https://www.lamonnaie.be/en/program/425-lucio-silla?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg5
Aurait-on mieux pu entamer cette année 2017 qui marque le 450ème anniversaire de la naissance de Monteverdi que par cette merveilleuse exécution de ce deuxième opéra (et premier chef-d’oeuvre) de l’histoire de la musique au Palais des Beaux-Arts ?
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-05-19UTC15:45:19+00:002017-05-19Aurait-on mieux pu entamer cette année 2017 qui marque le 450ème anniversaire de la naissance de Monteverdi que par cette merveilleuse exécution de ce deuxième opéra (et premier chef-d’oeuvre) de l’histoire de la musique au Palais des Beaux-Arts ?L'Orfeo enchanteur de García Alarcón à Bruxellesfr_FRtruehttps://bachtrack.com/critique-orfeo-leonardo-garcia-alarcon-contaldo-aspromonte-cappella-mediterranea-choeur-de-namur-bozar-bruxelles-mai-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/59280-leonardo-garcia-alarcon--c-jean-baptiste-millot.jpg510340Leonardo Garcia AlarcónJean-Baptiste Millot2017-May-17, BOZAR: Main hall: Orfeohttps://bachtrack.com/opera-listing/bozar-main-hall/orfeo/17-may-2017/20-002017-05-172017-05-17Palais des Beaux-Arts (BOZAR): Henri le Boeuf Concert HallBrusselsBrussels CapitalBelgiumB1000Rue Ravensteinstraat 2350.84431764.3593581999999744