Live, Video: Find classical music concert, opera, ballet and dance reviews | Korngold

A rare chance to hear the first of the Danish maverick's 16 symphonies, plus Nicola Benedetti shines in Korngold's luscious Violin Concerto.

Korngold's concerto is at the heart of The Hallé's concert of American urban music which also features Gershwin, Higdon and Bernstein.

In a programme of Lyadov, Korngold and Rachmaninov, the Ulster Orchestra’s Chief Conductor brings an evening of music that wouldn’t sound out of place on the silver screen.  

Franz Welser-Möst delivered a first-rate account of the Symphony in F sharp major, which was panned at its premiere but has seen a recent spike in popularity.

The Bamberg Symphony returns to its roots with Jakub Hrůša conducting high-energy gems from the Czech repertoire.

Spanning almost a century in musical terms, from the old-world elegance of Johann Strauss to one of his greatest admirers, Erich Korngold, John Wilson and the Sinfonia of London demonstrate orchestral excellence.

The slow movement is gorgeous in an unashamedly romantic fashion and Morrison, some moments of uncertain intonation aside, gave a poetic rendition, at times fining his sound down to the most exquisite filigree of sound. 

As with so many performances this season, the Cleveland strings took front and center in works of Grieg and Korngold.

Kitty Whately’s parents, Kevin Whately and Madelaine Newton, joined the mezzo and pianist Joseph Middleton, reading poetry to illuminate the themes of the song groups.

In Cologne, Stravinsky's neoclassicism comes up against the echt-romanticism of Schreker and Korngold, ending in a draw.

A wide-ranging programme from the shape-shifting ensemble at Wigmore Hall explores love in its many guises. 

It's the beginning of a new era of Singapore Symphony Orchestra history with Hans Graf at the helm offering an impressive performance.

Robert Lakatos proved to be an ideal soloist in Korngold's Violin Concerto and Uroš Lajovic conducted a poised, atmospheric Italian Symphony in Belgrade.

With an unsurpassed cast, devoted conducting and a brilliantly imaginative staging, the Bavarian State Opera's new production of Korngold's Die tote Stadt is a triumph.

Alexander Joel conducts The Hallé in Mahler's First Symphony and Korngold's “Hollywood” Violin Concerto. 

After London's farewell to Bernard Haitink the evening before, Andrés Orozco-Estrada had a tough act to follow with the Vienna Philharmonic. We needn't have worried. 

American singers Clay Hilley and Sara Jakubiak offered performances of distinction in two fiendishly difficult roles.

Leon Botstein and the American Symphony Orchestra's attempt to position Erich Wolfgang Korngold as a midcentury musical force comes up short.

Although Bard's production is only intermittently successful, the chance to hear this Korngold rarity live should be savored.

Erich Korngold's luscious String Sextet provides the musical highlight of Erkki-Sven Tüür's Pärnu programme. 

In Robert Carsen's staging, the “dead city” is absent: the scenery showing a bourgeois room that one imagines overlooking a bright avenue in Vienna or Berlin rather than a dark alley in Bruges.

The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.

A dashing, captivating concert, lacking only a few mood-changers to stimulate the audience’s eager receptors.

A terrific cast, led by soprano Celine Byrne and conducted by Patrik Ringborg deliver a compelling and thrilling performance of Korngold's Die tote Stadt.

Tchaikovsky’s warhorse piano concerto is given a performance stripped of all showmanship. Britten’s The Young Person’s Guide to the Orchestra completes this oddly programmed concert from the RLPO.

Korngold's Violin Concerto from Simone Lamsma is delivered with extraordinary deftness and depth, while Rachmaninov's Symphonic Dances thrill under Yan Pascal Tortelier and the Pittsburgh Symphony.

Hamburg's revival of a 2015 production is a musical success, but the director's concepts are sometimes too dense to tell a straightforward story.

Principal Guest Conductor Kazuki Yamada teases brilliant French sounds from the CBSO.

The Komische Oper's new staging of Korngold's opera doesn't quite offer the necessary scale or atmosphere. 

Kaufmann’s magnificent instrument was not seen at its best in songs by Strauss, but there was pleasure from his clear artistry and the interesting orchestral pieces played by the BBCSO.

In a score that can be a Technicolor wallow, Jurowski’s sure sense of dramatic pulse and balance, encompassed the brash dance rhythms, religious grandeur, vivid tone painting and the extremes of dissonance.

The biggest stigma associated with opera in Ireland is not that it is an elitist art form, but that it is not “Irish”, and that it doesn’t belong to Irish culture, more of a recent import, like pasta, or avocado.

At its local Antwerp première, David Bösch’s new production of Erich Wolfgang Korngold’s Das Wunder der Heliane makes it the only house ever to have mounted twice.

The BBC Symphony Orchestra and Chorus conducted by James Gaffigan, with two stellar soprano soloists, deliver a maritime-themed programme of pieces by Korngold, Anders Hillborg and Rimsky-Korsakov.

This was an ingenious and memorable concert of rarities and hybrids from early 20th-century Vienna, curated and performed by the ever imaginative Janine Jansen.

A programme of songs by Wolf, Strauss, and Scandinavian composers, with Iréne Theorin and Ulrika Tenstam.

Die tote Stadt at the Vienna State Opera features strong playing and singing but little drama.

The BBC Symphony Orchestra brought together the music of two very different composers forced into American exile by the Third Reich.

Shakespeare songs turned out to be more of a Shakespeare feast starring Antonio Pappano, Ian Bostridge and the exceptional Eve Best.

The CBSO pairs Berlioz' opium-fuelled extravaganza with a 20th-century favourite starring Vilde Frang.

NSO gives another convincing performance of Shakespeare inspired works. 

Jurowski is a wonderful conductor to watch. He carves shapes through his bearing and gesture cleanly, and his indications are crisp and defined - yet he retains poetic fluidity through his hands at all times.

Mahler 5 shows the Bavarian Radio Symphony Orchestra at its most expressive. 

A superb partnership between Osmo Vänskä and the LPO created a thrilling account of Elgar’s First Symphony but put Korngold’s Violin Concerto in the shade.

Jonathan Scott, John Wilson and the BBC Philharmonic presented a thrilling concert of American organ solos, orchestral music and Copland's glorious Organ Symphony.

Ludovic Morlot and the Atlanta Symphony start the new year with bland perfromances of the Waltz King and Brahms. 

The Manchester Camerata under Alpesh Chouhan and soprano Olena Tokar welcomed the New Year with Johann Strauss favourites, five of Brahms's Hungarian Dances and a selection of arias.

The Royal Philharmonic Orchestra under the baton of José Serebrier concoct images of iconic movie scenes in audiences' minds in a concert of classic film scores. 

Die tote Stadt’s bid for the mainstream proceeds with a musically strong revival of a perceptive if flawed staging at Oper Frankfurt

The Bournemouth Symphony Orchestra returned to the Proms with a trio of works, composed between the turbulent years 1944-45.