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Philipp Stölzl depicts Turandot as a tragedy of a lonely princess who pays dearly for her cruelty in his fascinating new production at the Staatsoper Berlin.

Superb singing from Joyce DiDonato and Jakub Józef Orliński lights up a curate's egg staging from Katie Mitchell.

Part of a new Da-Ponte trilogy, Le nozze di Figaro premieres online at the Staatsoper Unter den Linden Berlin

Marianne Crebassa and Maxim Mironov shine in a revival of Rossini’s masterpiece, for an evening of great fun.

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.

George Benjamin and Martin Crimp's second full scale opera is a refinement of the craft showed in Written on Skin – but the lessons are less in love and violince than in power, tension and beauty of the score.

The Staatsoper's new L'incoronazione di Poppea is serious, intelligent but short on fire.

Internationally acclaimed film director Wim Wenders and Daniel Barenboim give their debut with a rarely played opera by Georges Bizet.

1960s kitsch set in old Seville, excellent acting and movement direction combines with strong singing and immaculate playing from the OAE to make Glyndeboune's Le nozze di Figaro a triumph.

Amor vien dal destino, by the celebrated multi-talented Italian Agostino Steffani, receives its first staging in 300 years in Berlin's Schiller Theater under the direction of René Jacobs.

Staatsoper Berlin opens its season with a strong new production of Die Meistersinger von Nürnberg that pays homage to the past and at the same time points to the future.

An opening night of Così fan tutte in Munich in which Gaëlle Arquez and Marina Rebeka as the two sisters take the honours. 

Former RSC Artistic Director Michael Boyd imparts a distinctly Shakespearean flavour to Monteverdi's L'Orfeo in this first collaboration between the Royal Opera and the Roundhouse.

One thing is for sure: whether you like Baroque opera or not, you will never be bored by an opera conducted by René Jacobs. By shaking up convention with his subtle readings, sometimes even rewriting the composer’s score, the Belgian conductor is the one of those rare few who always find an elegant way to bring the repetitive mannerisms of the Baroque to life.

It’s not often that operas in English get performed in Germany, and so I was somewhat surprised to see such a large and important company as the Berliner Staatsoper taking on Stravinsky’s The Rake’s Progress.

L'Orchestre baroque de Fribourg dirigé par Sir Simon Rattle livre une interprétation formidable du chef-d'œuvre de Rameau, avec une distribution exceptionnelle jusque dans les importants rôles secondaires.

Au Festival d'Aix-en-Provence, Les Noces de Figaro sont en partie sauvées musicalement mais la mise en scène se perd dans la caricature en demi-teinte et le copier-coller thématique. 

Die Zauberflöte besteht in Berlin alle Prüfungen, René Pape begeistert als Sarastro besonders.

George Benjamins neue Oper beschreibt eindringlich einen durch Liebe hilflosen König – Hannigan und Degout füllen die tiefgründige Musik mit hingebungsvollem Emotionsspiel.

Aktuelle und ehemalige Stipendiaten zeigen den Erfolg des Internationalen Opernstudios Berlin auf.

Mozart-Da Ponte, ese binomio casi divino, es garantía de éxito seguro, o al menos de una velada con lo mejor en la parte musical y teatral. Con estos mimbres, las funciones del Liceu de este mes de noviembre pasan por ser un bálsamo para los melómanos y el público que se acerca por primera vez al mundo de la lírica.